Home » Jazz Articles » Album Review » Mike Fahn: Close Your Eyes... and Listen

88

Mike Fahn: Close Your Eyes... and Listen

By

Sign in to view read count
Mike Fahn: Close Your Eyes... and Listen
I first heard valve trombonist Mike Fahn some years ago on an album led by the wonderful tenor saxophonist Bob Cooper and was duly impressed. "There’s a player to watch," I said to myself. Great chops, lovely sound, quick reflexes, singular voice. Been watching ever since but apart from occasional appearances as a sideman on others’ albums I’d heard little from Fahn until Close Your Eyes... and Listen arrived in the mail.

Fahn moved (or, more accurately, returned) to NYC in ’93 with his wife, bassist Mary Ann McSweeney, and has stayed busy while keeping a relatively low profile, touring with Tom Harrell and Bill Mobley, working with his own groups and teaching in the New Jersey Performing Arts Center’s Jazz for Teens program. Although Fahn released an album called Steppin’ Out back in ’89, he says he considers Close Your Eyes his bona fide debut.

Having closed my eyes... and listened (of course!), I am happy to report that there is much about the album to admire. Fahn is as expressive and nimble as ever, he and tenor Rick Margitza form a compatible front line (on tracks 2, 4, 6, 8), guitarist Steve Cardenas (1, 3, 5–7) is tasteful and melodic, while pianist Charles Blenzig, bassist Jay Anderson and drummer Tim Horner furnish ample rhythmic muscle without getting in anyone’s way (I’m especially fond of Horner’s alert and adaptable approach).

What is missing, to these ears, are any songs (except the last one) that produce more than a lukewarm impression. The two by Anderson (the snappy “Will Call,” boppish “On Time”) come closest. The others, McSweeney’s “Without Changes,” Margitza’s “Heart Forest,” Keith Jarrett’s “Survivor’s Suite” and two others co-authored by Fahn and McSweeney (“The Burren,” “Get Sparky”), are nicely written but lack whatever it takes to inscribe them in one’s memory for more than a moment or two.

On the other hand, they do give everyone generous blowing space, and that’s a good thing, as Fahn and his colleagues are first-class improvisers. Blenzig’s synth lends an ethereal quality to “Changes,” while Fahn introduces “The Burren” (inspired by beautiful cliffs he and McSweeney saw while traveling in Ireland) with a lovely a cappella “chorale” produced by overdubbing slide trombones.

Fahn says he conceived the album as a showcase for his range, and in that goal he has succeeded, as he has in establishing “an over-all aura of dark reverie,” underlined especially by “Changes,” “Survivor’s Suite,” “Heart Forest” and “The Burren.” Thoughtful pieces all, and well worth the time it takes to appraise them. An exemplary album for those who don’t need unrelenting fireworks to command their attention.

Contact: Sparky 1 Productions, 817 Greenwood Avenue, #2, Brooklyn, NY 11218. Phone 718-437-7333; e-mail [email protected]; web site, www.mikefahn.com. Distributed also by North Country, Cadence Building, Redwood, NY 13679-9612; phone 315-287-2852; e-mail [email protected]. Web site, www.cadencebuilding.com

Track Listing

Without Changes; Will Call; Survivor

Personnel

Mike Fahn, valve trombone, slide trombone overdub (5); Rick Margitza (2, 4, 6, 8), tenor sax; Steve Cardenas (1, 3, 5-7), guitar; Charles Blenzig, piano (4, 8), synth (1, 3, 6, 7); Jay Anderson, bass; Tim Horner, drums.

Album information

Title: Close Your Eyes... and Listen | Year Released: 2003 | Record Label: Sparky 1 Productions


Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Ain't No Sunshine
Brother Jack McDuff
Taylor Made
Curtis Taylor
Fathom
John Butcher / Pat Thomas / Dominic Lash / Steve...

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.