Home » Jazz Articles » Album Review » John Abercrombie: Class Trip
John Abercrombie: Class Trip
Something about having three string players get together (without any horns along for the ride) makes the music that much more open and warm. It also means that resonance is a shared entity, and that matters a lot when all players are equally active in the unit. For his part, Feldman often rides in the lower register of his instrument, placing him firmly in the guitarist's active range. That helps support a more cohesive spirit, and with such open-ended improvisation, cohesion matters.
Nine of eleven compositions are by Abercrombie (the other two are "Soldier's Song," by Bartok; and "Illinoise," credited to the group). Each tune is a separate experience marked by a distinct mood and style, but you can be assured that Abercrombie serves the music with oddly-timed and idiosyncratic gestures that almost always swing to one degree or another. "Dansir" radiates a sense of shared exploration, "Illinoise" paced intensity; "Excuse My Shoes" melancholy loss; "Swirls" tumbling surprise; and "Epilogue" sharp-edged focus.
This is Abercrombie's best work since Gateway, which is a point of nostalgia in any case. He's lean, fluid, and articulate; the band is right there with him all the way.
Visit ECM Records and John Abercrombie on the web.
Track Listing
Dansir; Risky Business; Descending Grace; Illnoise; Cat Walk; Excuse My Shoes; Swirls; Jack and Betty; Class Trip; Soldier's Song; Epilogue
Personnel
John Abercrombie
guitarJohn Abercrombie (guitar), Mark Feldman (bass), Marc Johnson (double bass), Joey Baron (drums)
Album information
Title: Class Trip | Year Released: 2004 | Record Label: ECM Records
About John Abercrombie
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






