Home » Jazz Articles » Live Review » Christian McBride Band at Jazz Standard

233

Christian McBride Band at Jazz Standard

By

Sign in to view read count
Christian McBride Band
Jazz Standard
New York, NY
December 30, 2004

Christian McBride rocked a sold out house the second set Thursday, December 30th at Jazz Standard with a show that proved that a jazz band could be soulful without sacrificing sophistication.

Starting off with a rousing rendition of the Spinner's hit "I'm Comin' Home" that began with drummer Terreon Gulley laying down a funky New Orleans rhythm anchored by McBride's big bottom, the band alluded to the grooving sounds of Weather Report and the Jazz Crusaders while remaining thoroughly modern. Geoff Keezer was impressive manning a battery of keyboards with amazing aplomb while Ron Blake's powerful tenor rode smoothly over the trio's incessant groove. The saxophonist turned in a beautifully lyrical performance on his own "Shades of Brown," which preceded McBride's introduction of Melissa Walker who moved the audience with Bobby and Pamela Watson's "Love Remains." The singer continued tenderly with Janis Ian's reminiscent "Seventeen" (featuring Blake's flute) and her own stirring lyric to Tex Allen's gospel-tinged "Love Is." Then McBride counted off an up-tempo version of "Yesterdays" that had the whole group swinging hard over his fast-walking bass while Walker showed off her marvelous articulation and expansive range.

A solo bass recital of "Night Train" showcased the bassist's awesome virtuosity, before he switched to fretless Fender for a frenzied no-holds-barred finale on "Boogie-Woogie Waltz."


Comments

Tags

Concerts


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.