570

Jean-Luc Ponty: Canteloupe Island

John Kelman By

Sign in to view read count
Jean-Luc Ponty: Canteloupe Island Originally released in 1976, Blue Note's Canteloupe Island brought The Jean-Luc Ponty Experience with The George Duke Trio (Pacific Jazz, 1969) and King Kong: Jean-Luc Ponty Plays the Music of Frank Zappa (Blue Note, 1970) together as a two-album set. Long out-of-print, BGO's remastered reissue contextualizes the French violinist's later work. He may have dived deep into the fusion pool with albums including Aurora (Atlantic, 1975) and Imaginary Voyage (Atlantic, 1976), and explored African rhythms with Tchokola (Epic, 1991), but Cantaloupe Island is a reminder that Ponty was equally capable as both an experimental and straight-ahead player.

King Kong was a collaboration between Ponty and the late Frank Zappa. The guitarist's interest in everything from satirical rock to "musique concrete" had already been established on albums including The Mothers of Invention's Freak Out! (Ryko, 1966) and his own Lumpy Gravy (Ryko, 1967). Though Ponty's earlier releases were straight-ahead affairs, here he proved a flexible foil for Zappa, who wrote all but one of its six pieces.

Three of Zappa's compositions had already appeared on Mothers of Invention records, while one—the surprisingly balladic "Twenty Small Cigars—would show up soon after King Kong's release on Chunga's Revenge (Ryko, 1970). Ponty—with a shifting line-up where the only other constant was pianist George Duke—helped establish Zappa credibility as a jazzer, something already known by the West Coast jazz community. The title track's fast waltz and quirky melody open up to a hard-swinging middle section featuring strong solos from Duke and Ponty, while Zappa takes a guest turn on Ponty's modal "How Would You Like to Have a Head Like That" with a visceral solo that presages his own Hot Rats (Ryko, 1969).

But the centerpiece of King Kong is the nearly twenty-minute classical-form-meets-mainstream-improvisational-abandon of "Music for Electric Violin and Low Budget Orchestra." Ponty would go on to work with fusion icon John McLaughlin's expanded Mahavishnu Orchestra, but here he makes it clear that he's as conversant with defined form as he is open-ended freedom.

The Jean-Luc Ponty Experience, also features Duke, but with regular trio mates, bassist John Heard and drummer Dick Berk, and is a looser live recording that's a mix of two originals—Duke's open-ended "Foosh" and Ponty's relaxed swinger "Contact"— alongside a suitably funky take on Herbie Hancock's "Cantaloupe Island" and obscurer pieces by German pianist Wolfgang Dauner (the ethereal ballad "Pamukkale") and Jean-Bernard Eisinger (the fiery "Starlight, Starbright"). In all cases Duke and Ponty are given the opportunity to stretch out, with Ponty delivering a series of high velocity solos that may surprise those only familiar with his later efforts.

Ponty's career has been defined by diversity, with The Acatama Experience (Koch, 2007) his best album in recent years. Canteloupe Island possesses some of his most incendiary playing on record, and will come as a welcome return to availability for fans familiar with its strengths and a pleasant surprise for those new to its charms.


Track Listing: CD1 (King Kong: Jean-Luc Ponty Plays the Music of Frank Zappa): King Kong; Idiot Bastard Son; Twenty Small Cigars; How Would You Like to Have a Head Like That; Music for Electric Violin and Low Budget Orchestra; America Drinks and Goes Home. CD2 (The Jean-Luc Ponty Experience with The George Duke Trio): Foosh; Pamukkale; Contact; Canteloupe Island; Starlight, Starbright.

Personnel: Jean-Luc Ponty: electric violin, baritone violectra (CD1); George Duke: electric piano, acoustic piano (CD1#5); Wilton Filder: Fender bass (CD1#2, CD1#3, CD1#4, CD1#6); Gene Estes: vibes and percussion (CD1#1); Buell Neidlinger: bass (CD1#1, CD1#5); Arthur D. Tripp, III: drums (CD1#1, CD1#5); Ian Underwood: tenor saxophone (CD1#1), conductor (CD1#5); John Guerin: drums (CD1#2-4, CD1#6); Ernie Watts: alto and tenor saxophones (CD1#2-4, CD1#6); Frank Zappa: guitar (CD1#4); Harold Bemko: cello (CD1#5); Milton Thomas: viola (CD1#5); Jonathan Meyer: flute (CD1#5); Donald Christlieb: bassoon (CD1#5); Gene Cipriano: oboe and English horn (CD1#5); Vincent de Rosa: French horn and descant (CD1#5); Arthur Maebe: French horn and tuben (CD1#5); John Heard: electric bass (CD2); Dick Berk: drums (CD2).

Year Released: 2007 | Record Label: BGO Records | Style: Fusion/Progressive Rock


Shop

More Articles

Read The Sound of Surprise: Live at the Side Door CD/LP/Track Review The Sound of Surprise: Live at the Side Door
by Edward Blanco
Published: February 25, 2017
Read The Angel and the Brute Sing Songs of Rapture CD/LP/Track Review The Angel and the Brute Sing Songs of Rapture
by Karl Ackermann
Published: February 25, 2017
Read Coldest Second Yesterday CD/LP/Track Review Coldest Second Yesterday
by John Sharpe
Published: February 25, 2017
Read Chicago II CD/LP/Track Review Chicago II
by Doug Collette
Published: February 25, 2017
Read Follow Your Heart CD/LP/Track Review Follow Your Heart
by Mark Corroto
Published: February 25, 2017
Read Over the Rainbow CD/LP/Track Review Over the Rainbow
by Paul Rauch
Published: February 24, 2017
Read "Today" CD/LP/Track Review Today
by Jack Bowers
Published: March 10, 2016
Read "Fierce Silence" CD/LP/Track Review Fierce Silence
by John Sharpe
Published: December 9, 2016
Read "Dixie Chicken" CD/LP/Track Review Dixie Chicken
by Sacha O'Grady
Published: May 28, 2016
Read "The Only Way To Float Free" CD/LP/Track Review The Only Way To Float Free
by Glenn Astarita
Published: May 12, 2016
Read "Parodies: Jazz Music for Violin and Octet" CD/LP/Track Review Parodies: Jazz Music for Violin and Octet
by Eyal Hareuveni
Published: March 21, 2016
Read "Kansas City Here I Come" CD/LP/Track Review Kansas City Here I Come
by Victor L. Schermer
Published: February 10, 2017

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!