Home » Jazz Articles » Album Review » Dan Nadel: Brooklyn Prayer
Dan Nadel: Brooklyn Prayer
Hold me tight, my eyes will let you in.
I'll wash away your pain with my smile.
It's alright,
Let me free you from your chains here in the night.
It feels so right.
That said, there are many things to like in this release. Gilad (whom I have seen in Freddie Bryant's trio) is a fantastic world percussionist, playing many instruments with precision and intensity. Along with Plaxico, he makes the various rhythms here authentic. Nadel, being Israeli, fits right in when he creates this musical world tour representing the many cultures of Brooklyn, New York.
Nadel mostly plays a nylon classical guitar, occasionally switching to acoustic steel string, further keeping things small and intimate. He is joined by vocalist Michal Cohen, who is most effective when purely vocalizing, producing an sound of pure note, almost devoid of body, as on "Warm Shades of Beauty and "Dark Glasses.
Instrumentally, Nadel uses his guitar to make emotional points; he is not at all a technical wizard, and in fact comes off a bit strained when trying to wail blues lines on the steel-string guitar.
Despite these minor criticisms, Brooklyn Prayer does hold up well as a personal musical statement.
Visit Dan Nadel on the web.
Track Listing
Warm Shades of Beauty (7:29), Childlike (6:35), Summer Days (8:46), Desert Surfer (5:25), Dark Glasses (8:27), Slow Samba at 1am (6:08), Sing Me a Lullaby (3:24), Brooklyn Prayer Suite (3 parts) 7:52)
Personnel
Dan Nadel - nylon and steel acoustic guitar, Lonnie Plaxico - bass, Gilad - drums and percussion, Michal Cohen - vocals
Album information
Title: Brooklyn Prayer | Year Released: 2005 | Record Label: Unknown label
About Dan Nadel
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







