All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Nnenna Freelon's latest project pays tribute to singer Billie Holiday in the best possible waywithout imitation and putting her own interpretations on material written by or associated with Lady Day. Her band, adjusted to fit the mood of each song, skillfully complements her at every turn. Freelon's phrasing and vocal clarity contribute to an overall feeling that is more positive than Holiday's often dark and plaintive renditions of the same material.
Interspersed within this tribute are three natural fits that don't come directly from the Holiday Songbook. "Only You Will Know and "Interlude-Little Brown Bird are original collaborations by Freelon and Brandon McCune that pay homage to Lady Day. The former, an intimate vocal-guitar duet with Andre Bush, enables Freelon to question aloud whether she should imitate Holiday's style or approach the project's material in a different manner. Holiday's answer in this imagined vocal dialogue was: "Sing until you know who you are and why you came... You may sing a Lady song, sweet drawl soft and low/but only if the song is you and only you will know.
The third is "Balm in Gilead a traditional African-American affirmation of faith, hope and optimism that enriches all of the other material. This duo version on which Freelon is accompanied by pianist McCune, leads into an uplifting and vibrant version of "Them There Eyes.
Doug Lawrence's tenor sax offers a sublime conversational response to Freelon's vocals on "You've Changed and takes a different role on "Now Or Never by reinforcing and at times echoing her voice. Dave Ellis takes a more out-in-front complementary tenor role on the bluesy and soulful version of "Lover Man that follows. Julian Lage's guitar artistry sparkles throughout "Don't Explain and on several other tracks.
"Left Alone presents a Holiday work she never recorded. Lady Day wrote it with the late Mal Waldron. Abbey Lincoln was the first vocalist to record the tunein 1961. Freelon's vocals plus quartet version unearths the positives buried beneath Holiday's words about loneliness. "All of Me concludes this fine session with another twista sultry reggae arrangement of the classic ballad.
Track Listing: I Didn't Know What Time It Was; What a Little Moonlight Can Do; Don't Explain; God Bless
The Child; Strange Fruit; Willow Weep For Me; Balm In Gilead; Them There Eyes; Only You
Will Know; You've Changed; Now or Never; Lover Man; Left Alone; Interlude -"Little Brown
Bird"; All of Me.
Personnel: Nnenna Freelon: vocals; Brandon McCune: piano: Fender Rhodes: Hammond B-3: trumpet;
Wayne Batchelor: acoustic bass; Kinah Boto: drums; Beverly Botsford: percussion; Christian
Scott: trumpet (1,2,8); Mary Fettig: alto and baritone saxes: alto flute (1,2); Dave Ellis
(1,2,12) and Doug Lawrence (10,11): tenor sax; Julian Lage (3,8,11,15) and Andre Bush (9,
duet with Nnenna): guitar; Jessica Ivry: cello (3,8).
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.