Home » Jazz Articles » Mr. P.C.'s Guide to Jazz Etiquette and Bandstand Decorum » Bits and Bytes
Bits and Bytes
On the bandstand, in the middle of a tune, is it okay to move your lips while you're counting?
Patient Percussionist
Dear PP:
Of courseif you don't, you'll sound really strange.
Dear Mr. P.C.:
I saw someone post on Facebook, just before a gig: "Hurry downwe're selling out!"
My question is, are they selling out of seats, or selling out musically?
Donnie
Dear Donnie:
There's no difference. Think about it: How do you sell out a room? By selling out musically! This isn't news to purist jazz musicians, who secretly envy the sellouts' sellouts.
Dear Mr. P.C.:
So with the ever-present question of "selling out," my question for you is this:
Is it better to alienate your audience by playing complicated original music, or to lift their spirits playing standards you can't stand?
Dave the Dichotomist
Dear Dave:
If the only thing that lifts their spirits is seeing you miserable, what kind of people are they? Go ahead and play your original musicthey deserve it.
Dear Mr. P.C.:
What's the best way to go about firing someone, a long-time band mate who just isn't playing that well anymore?
Mercy Killer
Dear MK:
Can he hear? Can he see? Does he have full bowel and bladder function? Without this information I can't answer your question, but I do know that if the answer to all three is "yes," there's really no reason to fire him.
Have a question for Mr. P.C.? Ask him.

Get 'Benched!'
Benched, Bill Anschell's debut book of short stories / jazz humor. The stories are interspersed with the very best of Mr. P.C., hand-picked from the 400+ questions answered over the column's 16-year history. Benched is available on Amazon (paperback and Kindle) and most online booksellers.
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






