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Saxophones: Warne Marsh, Sonny Rollins, and the Microscopic Septet
by Jerome Wilson
This show, from June 15, 2021, is an all saxophone (plus flute and clarinet) program. Players featured include Warne Marsh, Sonny Rollins, Frank Wright, Joe Henderson, and The Microscopic Septet. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Reeds and Deeds “Hittin' The Jug" from Cookin' (Criss Cross) 1:05 Dave Pietro “Gina" from Hypersphere (ArtistShare) 9:03 Host Speaks 15:02 Eric Dolphy/Booker ...
Continue ReadingLennie Tristano Personal Recordings, 1946-1970
by Peter Rubie
They called it the Cool School, but what's in a name?In this case, quite a lot as it happens. The Cool School included musicians like Chet Baker, John Lewis and the Modern Jazz Quartet, and Dave Brubeck. Under the guidance of arranger and composer Gil Evans, it established itself in an unquestionable way with the release of Miles Davis' album Birth of the Cool (Capitol Records) in 1957, though the music had actually been recorded some eight or ...
Continue ReadingWarne Marsh & Lee Konitz: Two Not One
by Nic Jones
Warne Marsh & Lee Konitz Two Not One Storyville 2009
The cumulative impression of this four-disc reissue of sets tenor saxophonist Warne Marsh and alto saxophonist Lee Konitz recorded in the 1970s is one of exceptional creativity. Both men were and are masters of the art of never repeating themselves and a set of this scope really brings the point home.
By this stage in their respective careers it was in many ...
Continue ReadingWarne Marsh and Lee Konitz: Two Not One
by Chris Mosey
In 1975, the members of a musical appreciation society called The Danish Jazz Exchange clubbed together to bring their two favorite American improvisers, Warne Marsh and Lee Konitz, to their homeland. They then listened in rapt attention as the saxophonists played a series of concerts at Montmartre, then Copenhagen's premier jazz venue. The shadow of blind pianist/teacher Lennie Tristano, with whom Marsh and Konitz studied in the 1950s, and who was to die three years after these tracks were cut, ...
Continue ReadingWarne Marsh: Ne Plus Ultra
by AAJ Italy Staff
Provate a chiedere a qualche buon appassionato di jazz notizie che non siano meno che generiche su Warne Marsh. Con una certa probabilità - e esclusi alcuni “cultori" - le informazioni saranno più o meno quella manciata: la militanza nel gruppo di Tristano, il cool, Konitz, poco di più. Beh, non che il nostro abbia fatto poi molto per autopromuoversi, nel corso di una carriera che dalla seconda metà degli anni Quaranta ha proceduto a larghe volute [un moto evidentemente ...
Continue ReadingWarne Marsh Quartet: Ne Plus Ultra
by Brad Glanden
As a protégé of Lennie Tristano in the late 1940s and early 1950s, tenor saxophonist Warne Marsh learned lessons that shaped his playing until his death in 1987. He has inspired a cult following among musicians, particularly saxophonists seeking an alternative to the John Coltrane approach, and Ne Plus Ultra fully justifies his status as a legend of the cool school.
Recorded in 1969 with a thoroughly rehearsed ensemble, the date finds Marsh exploring conventional forms with precision and depth. ...
Continue ReadingWarne Marsh Quartet: Ne Plus Ultra
by Nic Jones
The passing of time has done nothing to reduce the singularity of Warne Marsh's art, and this set, recorded at the end of the 1960s, is an excellent working definition. Marsh was always a musician for whom points of reference in terms of influences were never helpful. To say, for example, that he shared a certain afinity with Lester Young is to overlook the wholesale differences in their musical worlds.
The same can be said for any reliance Marsh might ...
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