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Jazz Articles about Walt Weiskopf

116
Album Review

Walt Weiskopf: Walt Weiskopf: Quartet Live

Read "Walt Weiskopf: Quartet Live" reviewed by Doron Orenstein


Besides being the tenor man onstage with Steely Dan, Walt Weiskopf is first and foremost a prolific solo artist. With over 15 critically acclaimed recordings as a leader, Walt is not one to rest on laurels collected over the course of years, playing alongside legends such as Buddy Rich, Frank Sinatra, Toshiko Akiyoshi, and The Vanguard Jazz Orchestra. As one of jazz music's foremost post-Coltrane voices on the saxophone, Weiskopf's tenor sounds uniquely vocal, almost wailing, and capable of burning ...

195
Live Review

Walt Weiskopf at The Turning Point Cafe

Read "Walt Weiskopf at The Turning Point Cafe" reviewed by David A. Orthmann


Walt Weiskopf The Turning Point Cafe Piermont, NY March 30, 2009

Forty-five minutes prior to starting time at The Turning Point Cafe, Walt Weiskopf's tenor saxophone stood alone like a statute atop a table right next to the bandstand. Weiskopf is best known for ten recordings as a leader on the Criss Cross Jazz imprint which feature his compositions played by a cohort of some of New York City's significant mainstream players. The ...

434
Album Review

Walt Weiskopf: Day In Night Out

Read "Day In Night Out" reviewed by C. Andrew Hovan


Most of us find that there are certain musicians who speak to us through their music in a profound way that makes for a special connection. These are the artists who find a prominent space in our collections because we continuously seek out all of their current musical endeavors. For this reviewer, saxophonist Walt Weiskopf has always been a musician to watch. Not to take anything away from other jazz saxophonists, but Weiskopf's musical persona is the complete package. He ...

516
Album Review

Donald Fagen: Morph the Cat

Read "Morph the Cat" reviewed by Woodrow Wilkins


There's an engaging quality to Donald Fagen's songwriting and perfectionism that makes Steely Dan fans flock to his solo albums. While The Nightfly (1982) and Kamakiriad (1993) were expressly Fagen, Morph the Cat closely resembles Steely Dan without Walter Becker. The lineup partially reflects the ensemble that recorded the Dan's 2003 release, Everything Must Go, and toured with the group that year. The cast includes drummer Keith Carlock, guitarists Hugh McCracken and Jon Herington, and trombonist Lawrence Feldman. An assortment ...

1
Album Review

Donald Fagen: Morph the Cat

Read "Morph the Cat" reviewed by AAJ Italy Staff


Donald Fagen sta al rock come Duke Ellington stava al jazz. Non sarà per i continui attestati di stima che la mente degli Steely Dan spesso gli tributa, ma l’attitudine nella creazione e nell’arrangiamento, l’eleganza nella scelta timbrica e armonica, la condotta delle parti e la ricerca melodica come filo labile da cucire nella stoffa preziosa della song form, rimandano spesso agli insegnamenti di Ellington. L’altro elemento portante e decisivo è la letterarietà dei testi. A volte criptici, a volte ...

363
Album Review

Donald Fagen: Morph The Cat

Read "Morph The Cat" reviewed by Mike Perciaccante


Donald Fagen's third solo CD, his first such recording in thirteen years, blends jazz, soul, funk and just about every other musical influence you can name on nine new songs whose subject matter runs the gamut. The eclectic songs on Morph The Cat cover some interesting topics: a romantic interlude with an airport security guard ("Security Joan"); a conversation with the ghost of the late Ray Charles ("What I Do"); mortality ("Brite Nightgown"); and a cult taking over the US ...

605
Album Review

Donald Fagen: Morph The Cat

Read "Morph The Cat" reviewed by John Kelman


Sometimes tight-knit teams like Donald Fagen and Walter Becker--better known as Steely Dan--make it difficult to determine what each individual brings to the table. It's no secret that Becker and Fagen have strong jazz sensibilities, not to mention an affection for Tin Pan Alley, having started out as staff writers for ABC Records before realizing their music was too sophisticated for the artists they were writing for. But Fagen's previous solo albums--Nightfly (Reprise, 1982) and Kamikiriad (Reprise, 1993)--and Becker's 11 ...


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