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About Wallace Roney
Wallace Roney: No Room For Argument
by Jim Santella
An homage to Miles, Wallace Roney’s Stretch Records debut incorporates souvenirs that encompass the varied career of the incomparable Miles Davis. From echoes of his benchmark sextet to repetitious rock beats and sampled voices, Roney documents a valuable piece of history. Furthermore, the sampled voices include those of Martin Luther King, Jr., Malcolm X and Deepak Chopra. Moving closer to dramatic intensity in this performance, Roney surrounds himself with artists who share his feeling of respect for what Davis was ...
Continue ReadingWallace Roney: No Room For Argument
by Mark Corroto
In the mid-eighties I caught the great drummer Tony Williams’ band live. Williams, a member of Miles Davis’ second great quintet, had been making some pretty interesting music leading a band of youngsters including bassist Ira Coleman, saxophonist Billy Pierce, and trumpeter Wallace Roney. His music was a natural extension of those great sixties records and the Miles tradition. When the band took the stage my jaw dropped seeing the young Wallace Roney. He was the spitting image of the ...
Continue ReadingWallace Roney: No Room For Argument
by Mark Corroto
In the mid-eighties I caught the great drummer Tony Williams’ band live. Williams, a member of Miles Davis’ second great quintet, had been making some pretty interesting music leading a band of youngsters including bassist Ira Coleman, saxophonist Billy Pierce, and trumpeter Wallace Roney. His music was a natural extension of those great sixties records and the Miles tradition. When the band took the stage my jaw dropped seeing the young Wallace Roney. He was the spitting image of the ...
Continue ReadingBill Evans: Touch
by Paula Edelstein
Touch, produced by veteran saxophonist-composer Bill Evans for his debut on Zebra Records is one of compositional integrity that continues to explore the melodic themes of his previous release, Starfish & The Moon. His 11th as a leader, Touch exemplifies the personality and depth of Bill Evans’ musicianship on tunes ranging from smooth to straight ahead, charged with soaring soprano and robust tenor solos. The serenely lyrical “In Your Heart” imprints his smooth sax deep within the soul, ...
Continue ReadingBill Evans: Touch
by Ed Kopp
Whenever I hear a soprano saxophone played over a pre-programmed beat my attention inevitably wavers, even if the music it is somewhat challenging. I call this condition the Kenny G Syndrome.While listening to Touch I really had to fight through the Kenny G Syndrome on a couple of tracks, but in time I warmed up to most of these 11 tunes.To be fair, Bill Evans is no Kenny G. He's a veteran solo artist with a ...
Continue ReadingDavid Sanborn: Inside
by Ian Nicolson
Since the days when he left his hometown St Louis to play for the Butterfield Blues Band during the sixties Blues boom in California, Sanborn has worked hard at staying top dog among the LA studio sessioneers - and succeeded.He has also commuted effortlessly between sophisticated Jazzpop solo albums stressing his distinctive alto tone and R'n'B roots, and the occasional full-ahead Jazz outing - like 1990's Another Hand, or Upfront a year or two later. This time he's ...
Continue ReadingEndless Miles: A Tribute to Miles Davis
by Jack Bowers
A well--formed program of contemporary Jazz (for the most part anyway), presented for a good cause as well. A part of the net proceeds from Endlessmiles, recorded by a number of all--star groups at New York City's Birdland on May 26, 1998--the 72nd anniversary of the late trumpeter's birth--will be used to help establish an endowment for young musicians, the MilesDavis.com scholarship, to be administered by the International Association of Jazz Educators (IAJE). Two of the eight songs ...
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