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Jazz Articles about Vincent Herring
Harold Mabern: Mabern Plays Coltrane
by Mike Jurkovic
As is too often the case, we gain more and more respect and insight into an artist after he or she has passed away. Harold Mabern may have been overshadowed by many of his peers but he remained true to himself: bringing to the music a Memphis-bred hard bop blues and flourishing as both sought after sideman and impish, emphatic leader. Mabern never let you forget that, by all accounts, he was a generous, joyous man who reveled ...
Continue ReadingJared Hall: Seen on the Scene
by Jack Bowers
Seen on the Scene, Seattle-based trumpeter Jared Hall's second album as a leader, has a lot going for it: tight-knit group unity and tasteful dynamics; bright, technically polished solos by all hands; and engaging tunes by Hall and the late bop master, Tadd Dameron. As a bonus, the acclaimed alto saxophonist Vincent Herring is “on the scene" to share the front line with Hall, elevating the session whenever he assumes the spotlight. Hall's sound is crisp and ...
Continue ReadingJared Hall: Seen on the Scene
by Paul Rauch
In many ways the title Seen on the Scene encapsulates trumpeter Jared Hall's story leading up to the studio session in 2018 which resulted in this, his sophomore release. The native of Spokane, Washington, arrived in Seattle in 2015 after completing studies with mercurial trumpet ace Brian Lynch and, almost immediately, scored a residency at Tula's, the city's legendary jazz spot. Sporting new compositions and a new recording on Lynch's Hollistic MusicWorks label, Hall went about establishing himself on the ...
Continue ReadingJared Hall: Seen on the Scene
by Dan McClenaghan
With Seen On the Scene, his Origin Records debut, trumpeter Jared Hall offers up the sort of fresh bebop/post bop sounds found on the Blue Note Records label in the late 1950s and early 1960s. Horace Silver and Art Blakey and the Jazz Messengers seem to serve as touchstones, as does pianist / composer Tad Dameron, too. Hall's quintet—the familiar trumpet and sax and rhythm section line-up—takes on a pair of Dameron's classics: “Mating Call," and two versions of “If ...
Continue ReadingHarold Mabern: Mabern Plays Mabern
by Mike Jurkovic
A tad more subdued than the barn-burning The Iron Man: Live At Smoke (Smoke Sessions Records, 2019), Mabern Plays Mabern still manages to jump full throttle from where that defining recording left us, with a lush, lyrical intensity and a vital, legacy-culling energy which plays as an exquisite coda to the pianist's long, outstanding career. Alive with the same stylist's intuition and unbridled spirit which found him cutting through the ranks with such contemporaries as Charles Lloyd and ...
Continue ReadingNew York Japanese Jazz Festival 2019
by Peter Jurew
New York Japanese Jazz Festival Smoke Jazz & Supper Club New York, NY June 25-27, 2019 The Japanese people's love for jazz, rock, blues and other forms of music with African-American roots has been well established for decades. Working bands and musicians at all levels of fame regularly make the Land of the Rising Sun a destination and are met with uniquely polite audiences whose intense devotion can border on the worshipful. In the improvisational ...
Continue ReadingElio Villafranca: Cinque
by Maurizio Zerbo
Questo doppio CD è dedicato alla memoria di Joseph Cinque, che nel 1839 capeggiò la rivolta degli schiavi africani imbarcati sulla nave Amistad con destinazione Cuba e le sue piantagioni di zucchero. È un progetto ambizioso sulla diaspora africana in cui la narrazione vocale delle vicende storiche ben si combina ad un sontuoso apparato musicale, articolato in una suite di cinque movimenti. A fare da trait d'union, l'ancestrale retroterra ritmico della regione congolese, su cui vengono di volta in volta ...
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