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Tony Malaby: The Cave of Winds
by Mike Jurkovic
Veteran of Paul Motian's Electric Bebop Band, Charlie Haden's Liberation Music Orchestra and many of Kris Davis' intriguing forays, saxophonist Tony Malaby is by far no stranger to the other side of the music where paradigms slip from measure to measure, not to note. So The Cave of Winds, Malaby's dust-up with his electric quartet Sabino, follows a grandly familiar arc but sounds like nothing before it, and quite possibly like nothing that will come after it. Potent ...
Continue ReadingTony Malaby: The Cave of Winds
by Mark Corroto
Saxophonist Tony Malaby releases a 21st century version of Sonny Rollins' The Bridge (RCA Victor, 1962). During Rollins' three year voluntary hiatus from performing in the later '50s, he took to practicing on the Williamsburg Bridge near his Lower East Side neighborhood. Malaby, a resident of Jersey City in 2020, was also on a hiatus of sorts, an involuntary one. The pandemic had cancelled all performances, so he took to practicing under a turnpike overpass and soon invited other musicians ...
Continue ReadingStephane Payen / Ingrid Laubrock / Chris Tordini / Tom Rainey: All Set
by John Sharpe
All Set rekindles an alliance dating back to 2002 in London, where French saxophonist Stéphane Payen and German saxophonist Ingrid Laubrock first collaborated. Though they kept in touch in the meantime, this 2019 studio date represents their only encounter since. Between times Laubrock has blossomed, becoming one of the leading lights on the New York community, while Payen has consolidated his place on the French scene, working with bands such as Thôt and The Workshop. Joining them for this session ...
Continue ReadingStéphane Payen, Ingrid Laubrock, Chris Tordini, Tom Rainey: All Set
by Mark Corroto
The contrasts heard on All Set are both its center and its strength. The music, contributed by saxophonists Stéphane Payen (straight alto saxophone) and Ingrid Laubrock (tenor saxophone) is inspired by Milton Babbitt's third stream serial composition “All Set" which was performed in 1957. While that piece was through- composed, these nine compositions stand out for the quartet's ability to balance composition with improvisation. This quartet finds the long-time partners Ingrid Laubrock and drummer Tom Rainey collaborating with ...
Continue ReadingTom Rainey Obbligato: Untucked In Hannover
by Dan McClenaghan
Tom Rainey Obbligato is drummer Rainey's jazz standards group. Untucked In Hannover is the first live album of a triptych. It follows Obbligato (2014) and Float Upstream (2017), both on Intakt Records. Great American Songbook tunes hammered and bent and stretched away from expectations into new shapes is the name of the game, an approach which runs parallel to that of Lee Konitz, especially the alto saxophonist's late career outings, including Live At the Blue Note (Half Note, 2012) and ...
Continue ReadingJames Carney Sextet: Pure Heart
by Maurizio Zerbo
Parallelamente al più noto mercato discografico delle major, esiste un mondo sotterraneo di significative proposte parimente degne di grande attenzione da parte di critica e pubblico. Emblematico è in tal senso il CD in esame, nel rispecchiare sin dal titolo la musica di James Carney, notevole pianista newyorchese, che vanta esperienze multiformi tra il jazz di avanguardia e il pop, oltre ad essere da oltre un decennio un mobilizzatore della scena di Brooklyn. Senza ricorrere ad alchimie ...
Continue ReadingMonder / Malaby / Rainey: Live At The 55 Bar
by Mark Corroto
It is almost certain that guitarist Ben Monder was uncertain just what was likely to result from building a trio with saxophonist Tony Malaby and drummer Tom Rainey. Recorded at the threshold of the COVID-19 shutdown during Monder's monthly Tuesday residency at New York's The 55 Bar, this fully improvised “Suite 3320" can easily be taken as a prophecy of New York's and the World's pandemic lockdown. Is it the growing sense of dread that informs the performance ...
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