Jazz Articles about Tim Garland

like 347

Tim Garland: Due North

by Bruce Lindsay
October 21, 2008

Whitley Bay is not one of the world's great centers of jazz, but saxophonist Tim Garland's move to this town in English north-east has resulted in the creation of this fine album of big band jazz and hopefully there will be more to come.

Due North is a genuine big band album, with a core of 13 players augmented by keyboard player Gwilym Simcock on four tracks and vocalist Hannah Jones on three. Garland formed his first Underground Orchestra in ...

like 529

Northern Sinfonia / Tim Garland / Chick Corea: The Mystery: Orchestral Music by Tim Garland

by John Kelman
July 1, 2007

That musicians primarily connected to the jazz world possess greater stylistic multiplicity is nothing new. Nor is the concept of adapting jazz material to symphonic contexts. But British woodwind multi- instrumentalist Tim Garland is a rarity--an innovative improviser and composer who studied classical composition before shifting into performance and jazz at the age of twenty. His discography as a leader has largely focused on jazz, but the first signs of Garland's broader interests show up on Rising Tide (Sirocco, 2003), ...

like 326

Bill Bruford / Tim Garland: Earthworks Underground Orchestra

by Sean Patrick Fitzell
December 4, 2006

Bill Bruford forged his reputation as a relentless pioneer striving to advance the art of percussion. Using odd times and improvisation in rock or exploring with electronic drums, he sought to challenge both his self-expression and the drummer's role. Since 1986, his primary outlet as a composer and bandleader has been Earthworks. What began as an electro-acoustic quartet has become strictly acoustic, bringing him back to his early love: jazz. To celebrate this twenty-year anniversary, Bruford and ...

like 568

Bill Bruford / Tim Garland: Earthworks Underground Orchestra

by John Kelman
January 26, 2006

Although jazz has left behind its America-centricity and become a more international language, a mysterious chasm still exists between the American and UK jazz scenes. For every artist like Kenny Wheeler who has achieved American recognition, a dozen others have not. But with Earthworks Underground Orchestra, drummer Bill Bruford and woodwind multi-instrumentalist Tim Garland narrow the gap, proving that swing is more than a defined rhythm--it's a feel, with an expanding definition.

Bruford's 1980s electro-acoustic Earthworks quartet began a gradual ...

like 499

Tim Garland: If the Sea Replied

by John Kelman
October 12, 2005

He's still in his early forties, so it may seem premature for British woodwind multi-instrumentalist Tim Garland to create a consolidating work that summarizes his musical experiences to date. But Garland's involvement in projects like the contemporary post bop of Chick Corea's Origin and Bill Bruford's Earthworks, the chamber jazz of his own Storms/Nocturnes trio, and the Celtic-meets-contemporary jazz of the now-defunct Lammas suggests he's already covered significant territory. Even that's only part of the story. Garland has ...

like 252

Tim Garland: If the Sea Replied

by Bev Stapleton
October 11, 2005

Tim Garland's wider profile probably stems from the reed player's work with Chick Corea, Bill Bruford's Earthworks, and his trio with Joe Locke and Geoff Keezer. Yet he has an extensive discography of solo recordings and collaborations stretching back to the folk-based band Lammas, which first brought him to notice in the 1990s.

He is one of the busiest players on the UK scene, having recently undertaken an extensive tour with the Acoustic Triangle trio, performing in small churches alongside ...

like 403

Tim Garland: Change of Season

by John Kelman
October 15, 2004

Following two critically-acclaimed recordings with his Storms/Nocturnes trio, British woodwind player Tim Garland felt like a change. Rather than continue to pursue the more extended compositional form of Storms/Nocturnes (Sirocco, '01) and Rising Tide (Sirocco, '03), Garland wanted to return to more of a song form, and with a more conventional lineup. And while the compositions on Change of Season are less complex than those performed by the chamber-like yet rhythmically vivacious Storms/Nocturnes trio, they are no less challenging in ...