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Ron Miles: Rainbow Sign
by Ian Patterson
The symbolism of the rainbow varies from one culture to the next, and not all interpretations are positive, but the notion of the rainbow as a pathway between this life and the afterlife is perhaps the most pertinent for Ron Miles. Rainbow Sign, the Blue Note debut of the Colorado-based cornetist, was mostly written as his father was passing away in the summer of 2018, so it is no surprise that the music has a reflective, poignant quality. Reunited with ...
Continue ReadingBill Frisell: Valentine
by Angelo Leonardi
Pur confermando in pieno l'identità stilistica del chitarrista, il nuovo disco di Bill Frisell si rivela sottilmente imprevedibile: spiazza forse un po' l'ascoltatore ma lo coinvolge intensamente nella mente e nel cuore. Pubblicato il 14 agosto dalla Blue Note, Valentine è la prima incisione ufficiale del trio con Thomas Morgan e Rudy Royston, attivo da alcuni anni in ambito concertistico. Com'è noto, la recente attività artistica di Frisell l'ha visto coinvolto in altri progetti: i lucidissimi ...
Continue ReadingBill Frisell: Valentine
by Ian Patterson
In an extraordinarily varied career Bill Frisell has made just a handful of trio recordings as leader, which is perhaps surprising given how frequently he performs in such a setting. In recent years the Baltimore-born, Denver-raised guitarist has toured two of his most empathetic trios, that with Kenny Wollesen and Tony Scherr and, latterly, with Rudy Royston and Thomas Morgan but, until now, without venturing into the studio. Valentine marks the studio debut of the Frisell, Royston and Morgan trio, ...
Continue ReadingJim Black Trio: Reckon
by John Sharpe
The piano trio field is a big one, even that corner reserved for the evenly poised triumvirate heirs to Bill Evans. But drummer Jim Black's unit carves out its own distinctive acre. On the fourth album since its inception in 2011 the threesome, completed by NYC-based, Austrian-born pianist Elias Stemeseder and bassist Thomas Morgan, has reached the stage where they have total trust in one another. On a program of 11 concise self-contained cuts spread across 47-minutes, they create an ...
Continue ReadingVitor Gonçalves: Vitor Gonçalves Quartet
by Angelo Leonardi
Al suo debutto discografico, dopo tre anni di permanenza a New York (l'album è di quest'anno ma l'incisione è del giugno 2015), il giovane musicista brasiliano si rivela pianista e, soprattutto autore, talentoso e singolarmente eclettico. Il percorso musicale è un susseguirsi di sorprese nell'architettura dei brani, nel dinamismo ritmico e nelle scelte metriche e armoniche pur risultando melodicamente fresco (fino a toccare punte esemplari di lirismo). La complessità strutturale e il virtuosismo si legano alla fragranza tipica della musica ...
Continue ReadingHistoric Photos of New Orleans Jazz
by Wade Luquet
Historic Photos of New Orleans Jazz Thomas L. Morgan Hardback: 216 pages ISBN:1596524057 Turner Publishing 2009
Covering over 100 years, Historic Photos of New Orleans Jazz utilizes the extensive jazz photography collection of the Louisiana State Museum Jazz Collection to produce a beautiful book of photos that tell the story of jazz in a way words alone cannot.
Jazz historian and WWOZ radio host Tom Morgan ...
Continue ReadingScott DuBois Quintet feat. David Liebman: Monsoon
by Jeff Stockton
Scott DuBois plays a fair amount of electric guitar on Monsoon , his debut as a leader, but it's when he plays acoustic that he makes his most coherent and provocative statements. Strumming, plucking and pulling strings as if he were rearranging them on the neck of his instrument, DuBois injects the classical sound of Segovia's Spain into jazz music. With a band featuring two horn players, each doubling on soprano, DuBois' tunes favor the upper end of the scale ...
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