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Jazz Articles about Terell Stafford

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Album Review

Terell Stafford: Forgive And Forget

Read "Forgive And Forget" reviewed by Edward Blanco


Veteran trumpeter Terell Stafford delivers the second installment of saxophonist Herb Harris's dynamic “Jazz Masters Unlimited" series production, with the unveiling of Forgive and Forget, providing a forum for Stafford's talents and improvisational skills. Showcasing a repertoire penned and arranged by Harris, the trumpeter surrounds himself with a formidable quintet that makes his performance here much easier to appreciate. The A-list of players appearing with Stafford include tenor saxophonist extraordinaire Tim Warfield who served as the first masters series feature ...

Album Review

Vanguard Jazz Orchestra: OverTime: Music of Bob Brookmeyer

Read "OverTime: Music of Bob Brookmeyer" reviewed by Angelo Leonardi


Questo disco ci è giunto con un po' di ritardo ma va assolutamente segnalato. È infatti uno dei migliori dischi dell'anno nonchè un omaggio al genio orchestrale di Bob Brookmeyer. Forse non tutti sanno che lo storico trombonista, partner negli anni cinquanta di Stan Getz, Gerry Mulligan e Jimmy Giuffre, è stato uno di massimi orchestratori moderni: nel 1966 partecipò alla fondazione della Thad Jones-Mel Lewis Orchestra, scrivendo decine di partiture, e nel 1990 ne divenne il direttore, quando la ...

11
Album Review

Terell Stafford: Brotherlee Love: Celebrating Lee Morgan

Read "Brotherlee Love: Celebrating Lee Morgan" reviewed by C. Andrew Hovan


Over the past several decades, trumpeter Terell Stafford has built a solid reputation based on the fact that he is a thoroughly accomplished musician who has been heard in the bands of Bobby Watson, Matt Wilson, The Clayton Brothers, and Dana Hall. Although he has digested the complete history of the jazz trumpet cannon, Stafford remains his own man with a style and approach that is squarely his own. This fact is important because in endeavoring to pay tribute to ...

8
Album Review

Vanguard Jazz Orchestra: OverTime: Music of Bob Brookmeyer

Read "OverTime: Music of Bob Brookmeyer" reviewed by John Ephland


There's a richness, a depth, a density to his varied charts. And the soloists and ensemble passages inside those charts! Such has always been the case with the Vanguard Jazz Orchestra, then, and now. For real, gliding from the spirit of Thad Jones and Mel Lewis, this edition of the VJO now embraces another one of its own: trombonist/composer/arranger/pianist Bob Brookmeyer, with Over Time: Music Of Bob Brookmeyer. And what different sound comes from this grand aggregate of ...

5
Album Review

Vanguard Jazz Orchestra: OverTime: Music of Bob Brookmeyer

Read "OverTime: Music of Bob Brookmeyer" reviewed by Jack Bowers


While it may be hard to believe, the reality is that the Vanguard Jazz Orchestra is nearing the end of its first half-century together. Formed in 1966 as the Thad Jones -Mel Lewis Orchestra, it continued on after Jones' departure as the Mel Lewis Orchestra, then as the Vanguard Jazz Orchestra after Lewis' death in February 1990. During many of those years, the ensemble was enriched by the compositions and arrangements of the renowned Bob Brookmeyer (1929-2011), a master craftsman ...

15
Extended Analysis

The Vanguard Jazz Orchestra: OverTime: Music Of Bob Brookmeyer

Read "The Vanguard Jazz Orchestra: OverTime: Music Of Bob Brookmeyer" reviewed by Dan Bilawsky


Trumpeter Thad Jones and drummer extraordinaire Mel Lewis may have given birth to the band that's now known as The Vanguard Jazz Orchestra, but the late Bob Brookmeyer gave the group artistic independence at a time when it was sorely needed. When Jones left the fold and departed for Europe at the tail end of the '70s, things could've gone a very different way for this storied outfit: it could've simply carried on as a pretty good ...

13
Extended Analysis

The Caribbean Tinge: Live from Dizzy's Club Coca-Cola

Read "The Caribbean Tinge: Live from Dizzy's Club Coca-Cola" reviewed by Steve Bryant


Ever since the jazz was created in the clubs and dancehalls of New Orleans, there was always a significant influence from the Caribbean region, specifically from Cuba. The island, which was just a ferry ride from the port city, had such a significant effect on the development of the music that Jelly Roll Morton always spoke of the importance of Afro-Cuban based rhythms (the Spanish Tinge) in creating and performing this nascent music. However, it was the arrival of a ...


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