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Jazz Articles about Tadataka Unno
Jimmy Cobb: Remembering U
by Pierre Giroux
The death of Jimmy Cobb earlier in 2020 at 91 years of age marked the end of a singular era in jazz, as well as the career of one of the tastiest drummers in the field. Beginning in the 1950s, Cobb participated in numerous seminal recordings stretching from Miles Davis' Kind Of Blue (Columbia, 1959), John Coltrane's Giant Steps (Atlantic, 1960), Wes Montgomery's Full House (Riverside, 1962), through to a number of stellar trio sessions with pianist Wynton Kelly and ...
read moreGeorge DeLancey: Paradise
by Mark Corroto
Is it acceptable to label a musical recording as “delicious"? If so, it describes bassist George DeLancey's sophomore release Paradise. He presents eight compositions, half from his pen and the remaining from Oscar Pettiford, John Lewis, Thelonious Monk, and Jerome Kern/Oscar Hammerstein. The eight tracks, none of which tops five minutes, are well balanced with solos commensurate with that concept. Delancey is a young man (b.1988) with a very old soul. His music brings to mind the aforementioned ...
read moreKen Fowser: Morning Light
by David A. Orthmann
Throughout Morning Light, Ken Fowser's latest Posi-Tone Records release, he poses a welcome alternative to the fast-lane excesses of some of his peers on the tenor saxophone. The first thing that sets him apart is a medium-weight tone which doesn't crave attention or take up too much room. His sound sets an example to the rest of the band and discourages an overly aggressive, no-holds-barred approach to the music as a whole. Fowser's eleven serviceable, original compositions spring from recognizable ...
read moreJacob Melchior: It's About Time
by AAJ Italy Staff
In It's About Time del batterista Jacob Melchior ascoltiamo brani originali alternati, o ibridati, con diversi evergreen del classico repertorio jazzistico. Da dietro i tamburi Melchior dirige il Trio de SUM - che si compone anche del pianista Tadataka Unno e del bassista Hassan JJ Shakur - facendo leva su qualità ritmiche d'assoluta levatura e si diletta nel creare percorsi d'arrangiamento fantasiosi e di sicuro fascino espressivo; come nell'iniziale “Dancing Foo" unita a “Squatty Roo" di Johnny Hodges, per poi ...
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