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Cecil Taylor: Live at Fat Tuesday's February 10, 1980
by Giuseppe Segala
Nella collana First Visit di ezz-thetics, dedicata a registrazioni storiche rimaste inedite fino a ora, l'etichetta svizzera Hat Hut Records pubblica il terzo CD di Live at Fat Tuesday's, completando così la documentazione degli straordinari concerti che videro impegnato il sestetto Unit di Cecil Taylor a New York dall'8 al 10 febbraio 1980. Come nelle precedenti pubblicazioni, It Is in the Brewing Luminous, uscita nel 1981, e Live At Fat Tuesday's February 9, 1980 First Visit, diffusa nel ...
Continue ReadingAlbert Ayler Trio: Prophecy Live, First Visit
by Glenn Astarita
This 1964 New York City recording, now remastered and released on the Ezzthetics label, captures Albert Ayler with Gary Peacock and Sunny Murray at a crucial juncture in the saxophonist's development. This performance at the Cellar Cafe marks an early, vital snapshot of a trio that would become foundational to the free jazz movement. It is a chance to hear Ayler's radical sonic explorations in their initial stages before his sound fully solidified into the intensely spiritual and often ecstatic ...
Continue ReadingAlbert Ayler Trio: Prophecy Live, First Visit
by Mark Corroto
No jazz artist has been as polarizing as Albert Ayler. Listeners either revere him as a prophet or dismiss him as a charlatan. To some, his music is a divine revelation; to others, an indecipherable cacophony. But while Ayler's music was undeniably radical, he was no insurrectionist-- he was simply a true original. His sound was Ayler being Ayler. Born in Cleveland, Ohio, in 1936, Ayler's life ended in mystery in 1970 when his body was found floating ...
Continue ReadingCecil Taylor: Live At Fat Tuesday's February 9, 1980 First Visit
by Giuseppe Segala
Nel periodo di passaggio tra gli anni Settanta e Ottanta, Cecil Taylor è stato oggetto di numerose attenzioni da parte di etichette europee, che ne hanno lodevolmente documentato esibizioni dal vivo assai significative. Tra queste, alcune presentano la formazione Unit in differenti organici strumentali, che esprimono con dovizia un momento di impeto formidabile e di incredibile intesa creativa. Ne sono esempio le registrazioni in Germania del giugno 1978 Live in the Black Forest e One Too Many Salty Swift and ...
Continue ReadingAlbert Ayler With Don Cherry: 1964 Recordings First Visit Completed
by John Eyles
In 2020 the ezz-thetics label released the two-disc CD European Recordings Autumn 1964 Revisited which comprised the six November 9th 1964 radio recordings made in Hilversum, the Netherlands, by the quartet of Albert Ayler, cornetist Don Cherry, bassist Gary Peacock and drummer Sunny Murray, “Angels," “C.A.C.." “Ghosts." “Infant Happiness" (composed by Don Cherry), “Spirits" and “No Name." That album also contained nine other recordings by the same quartet, made in Copenhagen, Denmark, in September 1964. In 2016, the HATology label, ...
Continue ReadingAlbert Ayler / Don Cherry: Albert Ayler With Don Cherry 1964 Recordings First Visit Completed
by Chris May
It is possible that in his liner notes for this album, Brian Morton has unraveled the riddle that is Albert Ayler. Was he a genius? A hoaxer? An outsider artist before the term was coined? A person in the grip of autism? An avant-gardist who decided to become a (whisper it) populist? A religious evangelist? A leather fetishist? An out-of-his-tree stoner? The list goes on, the speculation will continue, and it is permissible to tick multiple boxes, or none. But ...
Continue ReadingCecil Taylor: Live At Fat Tuesday's February 9, 1980 First Visit
by John Eyles
For some years, Werner X. Uehlinger's Ezz-thetics label has been bringing smiles to the faces of countless lovers of free jazz by re-releasing albums featuring such luminaries as Albert Ayler, John Coltrane, Bill Evans, Jimmy Giuffre, Sun Ra, Cecil Taylor (to name but a few of many) all with state-of-the-art sound quality. The label's distinctive orange lettering over black and white period images of the featured artists has made its albums instantly recognisable. Until now. The current album has blue ...
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