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About Sun Ra


Instrument: Piano

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465
Album Review

Sun Ra: Spaceship Lullaby

Read "Spaceship Lullaby" reviewed by Jay Collins


Sun Ra watchers have to be thrilled with Atavistic’s recent efforts to present rare and previously unreleased Saturnistic material. The label's first release was the Cold War-era classic Nuclear War, followed by Music From Tomorrow’s World, a compendium of two previously unreleased live sessions from the tail end of the Chicago Period. The series’ latest issue is an archeological find (all 37 unreleased tracks worth) which collects Ra’s work with several Chicago vocal groups during the mid to late 1950’s. ...

308
Film Review

Space is the Place: The Mutha Ship Connection

Read "Space is the Place: The Mutha Ship Connection" reviewed by Rex  Butters


In 1974 the original Brother From Another Planet, Sun Ra, participated in a legendary low budget indie sci-fi film based on the Ra myth. Shot in 16mm around Oakland’s Merritt College and San Jose’s Rosicrucian Museum, Space Is The Place stars Ra as a crazy wisdom-cracking alien come to transport black folks to an Edenic planet through the transformative quality of music. Along the way he battles Evil in a game of cards on an isolated table in the middle ...

464
Film Review

Space Is The Place

Read "Space Is The Place" reviewed by AAJ Staff


Space is the Place Featuring Sun Ra Directed by John Coney Plexifilm 2003

There's so much mystery and intrigue surrounding Sun Ra that it's quite hard to discern his identity. Was he really from Saturn? Biographer John Szwed, author of the book Space Is The Place, made big strides in revealing the forces at play behind the bandleader's mystical vision. But Ra's music has mostly been lost in obscure, independent, out-of-print releases--though ...

930
Reassessing

Sun Ra: Atlantis

Read "Sun Ra: Atlantis" reviewed by Trevor MacLaren


Sun Ra and the Astro Infinity Arkestra AtlantisSaturn 1967

With Mars now in sight with the naked eye, no time is better than the present to turn to the planets. During his tenure on Earth, Saturnian Sun Ra created some trailblazing sounds that helped to change not only the sound of jazz, but several other genres as well. Herman Blount, better known as Sun Ra, would take a listener from the New Orleans style ...

346
Album Review

Sun Ra: We Travel the Spaceways/Bad and Beautiful

Read "We Travel the Spaceways/Bad and Beautiful" reviewed by Matthew Wuethrich


This Evidence re-issue package, like a large portion of the others, captures different aspects of the late '50s/early '60s Arkestra in transition. The first seven tracks comprise We Travel the Spaceways, recorded in Chicago between 1956 and 1960 at a variety of sessions. The second group of seven tunes were originally released as Bad and Beautiful, and is believed to have been recorded in New York sometime in 1961. Both albums sound relatively tame compared to the Arkestra’s later explorations, ...

482
Album Review

Sun Ra: Holiday for Soul Dance

Read "Holiday for Soul Dance" reviewed by Matthew Wuethrich


Holiday for Soul Dance testifies to not only Sun Ra’s originality, but also his courage when making stylistic decisions. This album, believed to be recorded sometime around 1958, casts Ra in the role of the traditionalist as the Arkestra interpret a batch of time-honored (and time-worn) standards. Surprisingly, this role fits better than one might expect. Ra always felt more affinity with Fletcher Henderson and Duke Ellington than he did with the bop and free jazz advocates. Perhaps even more ...

431
Album Review

Sun Ra: Angels and Demons at Play/The Nubians of Plutonia

Read "Angels and Demons at Play/The Nubians of Plutonia" reviewed by Matthew Wuethrich


If you try to track the development of Sun Ra's music on record, you will inevitably run up against numerous difficulties. Both chronologically and stylistically, his oeuvre contains anachronisms, false trails, mistakes and just plain weirdness. Evidence's re-issue package of the two Saturn albums, Angels and Demons at Play/The Nubians of Plutonia represents exactly these problems. Luckily, the detailed liner notes shed light on the confusing chronology while simultaneously informing listeners that what we are hearing is a band in ...


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