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Shelly Manne: Jazz from the Pacific Northwest
by Stefano Merighi
I luoghi comuni sono vacui ma spesso azzeccano un frammento di sincerità. Dire che il jazz californiano anni '50 annacqua e depotenzia la forza afroamericana di questa musica è riduttivo, certo, ma indiscutibile almeno in certe sue declinazioni. È il caso di queste registrazioni del quintetto di Shelly Manne, frutto del concerto al festival di Monterey del 1958, recuperate e pubblicate dalla Real to Real, in un doppio CD che contiene anche alcuni brani di otto anni dopo, ...
Continue ReadingHoward McGhee: Maggie's Back In Town!!
by Richard J Salvucci
A picture (a video, in fact) is worth a thousand words. Consider one of Howard McGhee around 1966. It is at the Newport Jazz Festival, and an unlikely group of trumpeters is doing a bop tune at metronome-busting speed. The group includes Bobby Hackett and Ruby Braff (unlikely, no?). Hackett is delightedly laughing. Braff walks off into the wings sulking. Young Jimmy Owens has just upstaged Howard McGhee, to put it mildly. The guy selected to teach Owens a lesson ...
Continue ReadingIt's a Manne's, Manne's, Manne's World
by Patrick Burnette
Where jazz drumming's concerned, sometimes Blakey makes ya shaky and Buddy's too thud-y. Where to turn? Go West, young man, and samples the wares of one Shelly Manne. Manne, a transplanted Easterner, made a career in California logging studio work, appearing on countless sessions, and leading his own group with varying personnel that was always known as Shelly Manne's men. Now, just in time for Record Store Day , Reel to Real is issuing live days by the Manne and, ...
Continue ReadingShelly Manne & His Men: Jazz From The Pacific Northwest
by Pierre Giroux
Shelly Manne & His Men are presented in two iterations in never-before-released live recordings from the 1958 Monterey Jazz Festival and from a 1966 date at The Penthouse in Seattle entitled Jazz From The Pacific Northwest. In this deluxe limited edition 180-gram 2LP set, co-produced for release by the estimable Zev Feldman and Cory Weeds, the band captivated the audience with intricate melodies and vibrant improvisations driven by Manne's virtuosic drumming. The band on LP1 from ...
Continue ReadingShelly Manne and His Men at the Black Hawk 1
by Richard J Salvucci
For many years, but certainly for most of the '50s and '60s, the top jazz drummer--by public opinion--was Shelly Manne. Although he was typically associated with West Coast Jazz, (a term he disliked), Manne had come West from New York City in the '50s and settled in Los Angeles in the halcyon days of the post-war boom. He was a guy of many parts; he raised horses, had married an ex-Rockette, and become part-owner of what was to become the ...
Continue ReadingShelly Manne & His Friends: Modern Jazz Performances Of Songs From My Fair Lady
by Richard J Salvucci
The musical My Fair Lady (1956) is a story from another age. All things considered, it is probably best that a contemporary audience may not know the lyrics to the songs, let alone the tunes. The tale involves the efforts of an insufferable Henry Higgins to teach a Cockney lass, Eliza Doolittle, how to properly pronounce the Queen's English, BBC style. Alas, Higgins succeeds too well, only to render the fey Doolittle attractive to a rival suitor of some means. ...
Continue ReadingSonny Rollins: Go West! The Contemporary Records Albums
by Richard J Salvucci
Apparently, the median age of a jazz listener is in his or her mid to late 40s. So, perhaps, the representative listener was born in the mid-1970s. Sonny Rollins first recorded in 1949. The recordings reviewed here were made in the late 1950s, well before many contemporary listeners were born. While there have been ample reissues of Rollins' work, most coincided with the still-active phase of his career. Much of his work has appeared since “Skylark" on The Next Album ...
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