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Jazz Articles about Seamus Blake


About Seamus Blake

8

Album Review

Seamus Blake and Chris Cheek: Reeds Ramble

Read "Reeds Ramble" reviewed by Edward Blanco


As leader of the 1995 funky, alternative/electronic music group The Bloomdaddies, saxophonist Seamus Blake released the band's debut album Bloomdaddies (Criss Cross 1110, 1996) that included fellow reed man Chris Cheek among the personnel. Twenty-years later, after forging independent careers as sidemen, big band soloists and leaders of their own groups, on Reeds Ramble, Blake and Cheek reunite once again in a jazz outing that lays down 'their' version of the oft used term “tenor madness." There's a slight double ...

4

Album Review

Seamus Blake and Chris Cheek: Reeds Ramble

Read "Reeds Ramble" reviewed by Bruce Lindsay


Saxophonists Seamus Blake and Chris Cheek are both into their third decades as professional musicians. Their working relationship goes back to the early-90s when Cheek was a member of Blake's “alternative grunge jazz" band The Bloomdaddies. On Reeds Ramble (the title is borrowed from a tune written by guitarist Jerry Reed) the two men lead a quintet on a selection of tunes ranging from Elmo Hope's upbeat “De Dah" to Brian Wilson's oddly unsettling “'Til I Die," with one original ...

117

Album Review

Opus 5: Introducing Opus 5

Read "Introducing Opus 5" reviewed by Dan Bilawsky


Collectively delivered jazz albums almost always fall into one of three categories: some are outings from neophytes looking to pool their resources, while trying to build a fan base from the ground floor up; others marry the musical skills of seasoned musicians who've crossed paths in various situations and/or share a commonality in approach; and the most commercially successful, yet artistically regretfully, are usually hastily conceived or rendered performances that simply attach several big names to a project in order ...

Album Review

BANN: As You Like

Read "As You Like" reviewed by AAJ Italy Staff


Il gruppo BANN mette a confronto due generazioni di musicisti e lo fa con risultati interessanti ben dimostrati da questo primo album, pubblicato dalla etichetta siciliana Jazz Eyes. I nomi sono di assoluto valore, dal saxofonista anglo-canadese Seamus Blake, al chitarrista israeliano Oz Noy, ai due veterani Jay Anderson e Adam Nussbaum, rispettivamente bassista canadese e batterista newyorkese. Certamente una delle sezioni ritmiche più affiatate della piazza. Il problema sarà semmai tenere assieme quattro musicisti che hanno certamente un carnet ...

306

Album Review

Seamus Blake Quintet: Live At Smalls

Read "Live At Smalls" reviewed by Bruce Lindsay


Recorded at the Greenwich Village club on August 31st and September 1st 2009, Live At Smalls showcases the inventive sound of English-born, Canadian-raised and New York-based Seamus Blake. The tenor saxophonist's career to date includes membership in the Mingus Big Band, BANN and the Victor Lewis Quintet, as well as his own combos. Live At Smalls finds Blake leading a sharp and swinging quintet on a series of post-bop originals and a cover of “Stranger in Paradise." ...

440

Album Review

Seamus Blake: Bellwether

Read "Bellwether" reviewed by Woodrow Wilkins


SSome albums are named for a time, a place, an experience, or even a person. Others have a concept. Saxophonist Seamus Blake takes on concept with Bellwether, a term for leader or trendsetter. Born in England and raised in Vancouver, Canada, Blake has gained recognition by Down Beat and JazzTimes magazines, and finished first in the 2002 Thelonious Monk Jazz Competition. His associations include Mark Turner, Kurt Rosenwinkel, Larry Grenadier and Victor Lewis. For Bellwether, Blake is accompanied ...

496

Album Review

Seamus Blake: Bellwether

Read "Bellwether" reviewed by Robert Dugan


This is a great period for tenor players, with some of the best in our midst: Chris Potter, Jimmy Greene, Donny McCaslin, Marcus Strickland, and Seamus Blake, among others. Surfacing in the Mingus Big Band during the nineties, Blake's aggressive edginess was impressive in a group which took no prisoners. The tenor saxophonist more than held his own. Recently, he seems to be refining and elaborating his improvisational style while further developing his compositional skills.

With Bellwether, Blake brings a ...


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