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Jazz Articles about Satoko Fujii

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Album Review

Natsuki Tamura / Satoko Fujii: Aloft

Read "Aloft" reviewed by Doug Collette


Pianist/composer Satoko Fujii has released over one hundred albums since 1996 and, in line with that prolific output, Aloft is the third record she has appeared on just in 2024; see also the Kaze ensemble's Unwritten (Libra Records, 2024) and the Tokyo Trio's Jet Black (Libra Records, 2024). While it is fair to say she does not make a habit of repeating herself, she is nevertheless aware of what settings offer self-renewing sources of inspiration to her seemingly ...

Album Review

Satoko Fujii Tokyo Trio: Jet Black

Read "Jet Black" reviewed by Neri Pollastri


Nuovo trio per la brillante e prolifica pianista giapponese, stavolta con due giovani compagni --il già esperto Takashi Sugawa al contrabbasso e Ittetsu Takemura alla batteria --con i quali mettere in scena qualcosa di parzialmente diverso da quanto ci ha abituato ad ascoltare. La musica dell'album muove sempre da parti scritte dalla Fujii, spesso con modalità abbastanza “tradizionali" --un incedere dinamico, quasi descrittivo del titolo, nell'iniziale “Along the Way" e in “Gentle Slope," una sospesa narrazione basata su ...

2
Album Review

Satoko Fujii & Natsuki Tamura: Aloft

Read "Aloft" reviewed by Mike Jurkovic


Feel air move around you throughout the forty-nine or so minutes of Aloft, the latest entry into the ever-compelling soundtrack of Satoko Fujii and Natsuki Tamura's creative coexistence. It ripples like a pond while it roars like the sea. It rafts the updraft and dives in for the kill. It is life in a nutshell: an epic tale of joy a lifetime long. But to hear it revealed in this way--piano, trumpet, lionhearted--is both a privilege and an honor.

7
Album Review

Natsuki Tamura, Satoko Fujii: Aloft

Read "Aloft" reviewed by Dan McClenaghan


A lot of ink has poured from the pens of jazz writers in ruminations on the art of Satoko Fujii. With over a hundred album releases under her name and under the names of various groups she has led, she has given the scribes plenty to listen to and write about. Solo albums, big band albums and every size ensemble in between have come out in relative dribs and drabs--three or four releases a year--or in torrents (see 2022 comment ...

9
Live Review

Vilnius Mama Jazz Festival 2024

Read "Vilnius Mama Jazz Festival 2024" reviewed by John Sharpe


Vilnius Mama Jazz Festival National Drama Theater Vilnius, Lithuania May 23-26, 2024 Intro As every year since 2002, the cosmopolitan Lithuanian capital Vilnius once again hosted the Mama Jazz Festival. While customarily booking acts that might please a wide range of music lovers, the bill this year was one of the strongest to date, with acts from Europe, the USA and beyond, along with a Showcase Stage offering new talent the chance to get ...

6
Album Review

Kaze: Unwritten

Read "Unwritten" reviewed by Doug Collette


Improvised music is an acquired taste, to be sure. But for those who dote on the spontaneous, the liberating sensation that arises from interplay in the moment is nothing less than addictive. In that regard, then, Kaze's fittingly titled Unwritten, a wholly spontaneous piece of work, holds a bounty of fascination. Presenting a formidable challenge to listeners at the very outset of the record, this foursome proffers an initial track, “Thirteen Years," that is just shy of thirty-seven ...

7
Album Review

Satoko Fujii Tokyo Trio: Jet Black

Read "Jet Black" reviewed by Glenn Astarita


Satoko Fuji, a visionary pianist and composer hailing from Japan, has carved a distinct niche for herself in the world of modern jazz. Her unique style and innovative approach to music have garnered acclaim from critics and audiences alike. On her second outing with the Tokyo Trio, comprising herself on piano, Takashi Suguwa on bass, and Ittetsu Takemura on drums, Jet Black shines as a mesmeric and thought-provoking endeavor that explores the depths of human emotion and musical expression.


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