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Jazz Articles about Sam Bardfeld

16
Album Review

The Hemphill Stringtet: The Hemphill Stringtet Plays the Music of Julius Hemphill

Read "The Hemphill Stringtet Plays the Music of Julius Hemphill" reviewed by Troy Dostert


One of the most multifaceted saxophonists to come out of the 1970s-80s jazz avant-garde, Julius Hemphill exuded both fervid power and delicate sensitivity, always with an underpinning of swing to help anchor him within the jazz tradition. While his iconic releases like Dogon A.D. (Mbari, 1972) and Flat-Out Jump Suite (Black Saint, 1980) are rightly considered classics, exemplifying Hemphill's rich harmonic sensibility and improvisational prowess, sometimes forgotten are the wonderful duet releases he recorded with one of his go-to colleagues, ...

10
Album Review

The Hemphill Stringtet: The Hemphill Stringtet Plays the Music of Julius Hemphill

Read "The Hemphill Stringtet Plays the Music of Julius Hemphill" reviewed by Mark Corroto


Let us borrow a famous tagline from the dairy industry: Got Hemphill? If not, it is time to take a closer listen. Julius Hemphill (1938-1995) was a towering figure in the creative music scenes of both St. Louis, where he co-founded the Black Artists' Group (BAG), and New York's vibrant loft jazz scene of the 1970s and '80s. At a time when Miles Davis was going electric and fusion bands were battling for airtime against the neo- conservative ...

19
Album Review

The Hemphill String Stringtet: The Hemphill Stringtet Plays the Music of Julius Hemphill

Read "The Hemphill Stringtet Plays the Music of Julius Hemphill" reviewed by Glenn Astarita


The Hemphill Stringtet's debut album, Plays the Music of Julius Hemphill is a vibrant tribute to the late jazz composer and saxophonist Julius Hemphill (1938--1995). This string quartet, featuring violinists Curtis Stewart and Sam Bardfeld, violist Stephanie Griffin and cellist Tomeka Reid, reimagines Hemphill's compositions with a fresh chamber music perspective. Formed in 2022, the ensemble aims to amplify Hemphill's legacy as a pivotal Black American composer while infusing his blues-inflected jazz with improvisational flair rooted in African American traditions. ...

Album Review

Sam Bardfeld: The Great Enthusiasm

Read "The Great Enthusiasm" reviewed by Stefano Merighi


Sam Bardfeld scrive acute note di copertina ricordando in breve la formazione culturale di un giovane nella New York degli anni settanta, dopo le dimissioni di Nixon. Una città depravata, decadente, eppure sfolgorante nella sua iperbolica creatività. La musica caraibica accanto alle prime follie di Zorn; la ruvidezza del CBGB a pochi passi dai recital di Ravi Shankar. Una cornice stimolante a dir poco, per un musicista che in effetti ha fatto tesoro di tale varietà stilistica, arrivando da adulto ...

161
Album Review

Sam Bardfeld: Periodic Trespasses

Read "Periodic Trespasses" reviewed by Robert R. Calder


Vibes, bass and drums make an interestingly different rhythm section, one that Bobby Hutcherson long ago used to help jazz musicians reach new places without exiling them from their origins. One musician the master vibraphonist helped was Eric Dolphy, who is mentioned in this set's notes. Quite right, there is some Dolphy in Sam Bardfeld, who plays violin very well, on the lyrical side.

On “There Could Have Been More of It," a nice track, Sean Conly's bass pins things ...

155
Album Review

Sam Bardfeld: Periodic Trespasses (The Saul Cycle)

Read "Periodic Trespasses (The Saul Cycle)" reviewed by John Kelman


Ask most artists and they'll tell you their albums tell a story. The idea of musical narrative is nothing new--listen to any ECM disc, where emotional arcs often transcend any collection of discrete pieces. Rare, however, are the recordings where there's an all-encompassing theme. Rarer still are those that tell a specific and self-contained story. Percussionist Brad Dutz's Nine Gardeners Named Ned (pfMentum, 2005) was one such record; New York violinist Sam Bardfeld tells the story of the imperfect but ...

118
Album Review

Sam Bardfeld: Periodic Trespasses (The Saul Cycle)

Read "Periodic Trespasses (The Saul Cycle)" reviewed by Andrey Henkin


With his second release as a leader (and first for Fresh Sound), violinist Sam Bardfeld presents an album full of modern Jewish intellectual reflection, as practiced by such diverse artists as Saul Bellow and Woody Allen, but couched in terms owing more of a debt to Frank Zappa's Joe's Garage. But given those two foundations, this album is neither radical Jewish culture a la Tzadik nor progressive rock. It is instead another fine entry into the seemingly ...


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