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Jazz Articles about Russ Lossing


About Russ Lossing

88

Album Review

Russ Lossing Trio: Oracle

Read "Oracle" reviewed by Mark Corroto

by Mark Corroto

Pianist Russ Lossing's trio evokes a dreamlike state on Oracle, by communicating an atmosphere of unearthly elegance through trance-inducing energy. Lossing, bassist Masa Kamaguchi and drummer Billy Mintz commune at this level because they'd been a working trio for six years when this studio recording was made in 2007. Besides that, all three bring experience from the fertile jazz world: Lossing, as a member of bands led by Paul Motian, Dave Liebman, and Mat Maneri; Kamaguchi, with Frank ...

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181

Album Review

Russ Lossing / John Hebert: Line Up

Read "Line Up" reviewed by Wilbur MacKenzie

by Wilbur MacKenzie

The profound depth of the interactions between pianist Russ Lossing and bassist John Hebert on their new duo recording bears the mark of a shared history and mutual respect and enthusiasm. Hebert and Lossing have both worked with many great artists who have shaped the history of jazz, including Paul Motian, Andrew Hill, Dave Liebman and John Abercrombie, as well as many more recent innovators like Mat Maneri, Uri Caine, Fred Hersch, Greg Osby and Mark Dresser. There may be ...

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147

Album Review

Russ Lossing / John Hebert: Line Up

Read "Line Up" reviewed by Budd Kopman

by Budd Kopman

Pianist Russ Lossing and bassist John Hebert have known each other a long time and have played together on a number of projects, including Lossing's own Phrase 6 (Fresh Sound New Talent, 2005), and, most recently, on the phenomenal “quasi-debut" of Michael Adkins, Rotator (HatOLOGY, 2008). After talking for a long time about making a duo recording, the two players finally did it, and the exceptional Line Up, is the result. As a player, Hebert's wide-ranging musical ...

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123

Album Review

Russ Lossing / John Hebert: Line Up

Read "Line Up" reviewed by Chris May

by Chris May

Modern bass playing, and the special relationship in jazz between bass and piano, could be said to have begun in the early 1940s, with the partnership of pianist Duke Ellington and bassist Jimmy Blanton.

In a series of duo recordings as impactful, among musicians, as saxophonist Charlie Parker and trumpeter Dizzy Gillespie's couplings a few years later, Blanton took his instrument beyond its role as a more or less lumpen metronomic device and, in intimate relationship with Ellington's ...

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192

Album Review

Russ Lossing: All Things Arise

Read "All Things Arise" reviewed by Budd Kopman

by Budd Kopman

Russ Lossing is a pianist of extreme depth and intensity whose music exists between jazz improvisation and modern classicism. All Things Arise will only cement this impression. His previous records include the marvelous Metal Rat (Clean Feed, 2006) with Mat Maneri and Mark Dresser, and the intense As It Grows (HatOLOGY, 2004) with Ed Schuller and Paul Motian. This time, however, Lossing is on solo piano, which only increases the intensity since every aspect of the sounds ...

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1

Album Review

Russ Lossing - Mat Maneri - Mark Dresser: Metal Rat

Read "Metal Rat" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Come riferito nelle note di copertina, il CD è il risultato di un'intensa seduta di registrazione di poche ore. Non si puo' che rimanere colpiti, quindi, dalla forte intesa tra i tre musicisti. Mark Dresser, con il suo arco trascinante e profondo, quando non percussivo, e con i suoi pizzicati solidi e incalzanti risulta essere il perno dell'opera per la bravuca con cui riesce a mettere in comunicazione la versatile viola di Mat Maineri e il pianoforte di Russ Lossing ...

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228

Album Review

Russ Lossing / Mat Maneri / Mark Dresser: Metal Rat

Read "Metal Rat" reviewed by Troy Collins

by Troy Collins

A focused session of collective free improvisation conceived by pianist Russ Lossing, Metal Rat features the spontaneous interplay of three sympathetic musicians. Joined by violist Mat Maneri and bassist Mark Dresser, Lossing booked a recording studio for a mere four hours to instill a “real sense of urgency" to the proceedings. The ensuing session benefits from this pre-imposed constraint by lending an air of palpable tension to the work. Full of simmering intensity and dramatic flair, this is dark, intuitive ...

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