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Jazz Articles about Russ Lossing

147
Album Review

Russ Lossing / John Hebert: Line Up

Read "Line Up" reviewed by Budd Kopman


Pianist Russ Lossing and bassist John Hebert have known each other a long time and have played together on a number of projects, including Lossing's own Phrase 6 (Fresh Sound New Talent, 2005), and, most recently, on the phenomenal “quasi-debut" of Michael Adkins, Rotator (HatOLOGY, 2008). After talking for a long time about making a duo recording, the two players finally did it, and the exceptional Line Up, is the result. As a player, Hebert's wide-ranging musical ...

123
Album Review

Russ Lossing / John Hebert: Line Up

Read "Line Up" reviewed by Chris May


Modern bass playing, and the special relationship in jazz between bass and piano, could be said to have begun in the early 1940s, with the partnership of pianist Duke Ellington and bassist Jimmy Blanton.

In a series of duo recordings as impactful, among musicians, as saxophonist Charlie Parker and trumpeter Dizzy Gillespie's couplings a few years later, Blanton took his instrument beyond its role as a more or less lumpen metronomic device and, in intimate relationship with Ellington's ...

192
Album Review

Russ Lossing: All Things Arise

Read "All Things Arise" reviewed by Budd Kopman


Russ Lossing is a pianist of extreme depth and intensity whose music exists between jazz improvisation and modern classicism. All Things Arise will only cement this impression. His previous records include the marvelous Metal Rat (Clean Feed, 2006) with Mat Maneri and Mark Dresser, and the intense As It Grows (HatOLOGY, 2004) with Ed Schuller and Paul Motian. This time, however, Lossing is on solo piano, which only increases the intensity since every aspect of the sounds ...

1
Album Review

Russ Lossing - Mat Maneri - Mark Dresser: Metal Rat

Read "Metal Rat" reviewed by AAJ Italy Staff


Come riferito nelle note di copertina, il CD è il risultato di un'intensa seduta di registrazione di poche ore. Non si puo' che rimanere colpiti, quindi, dalla forte intesa tra i tre musicisti. Mark Dresser, con il suo arco trascinante e profondo, quando non percussivo, e con i suoi pizzicati solidi e incalzanti risulta essere il perno dell'opera per la bravuca con cui riesce a mettere in comunicazione la versatile viola di Mat Maineri e il pianoforte di Russ Lossing ...

228
Album Review

Russ Lossing / Mat Maneri / Mark Dresser: Metal Rat

Read "Metal Rat" reviewed by Troy Collins


A focused session of collective free improvisation conceived by pianist Russ Lossing, Metal Rat features the spontaneous interplay of three sympathetic musicians. Joined by violist Mat Maneri and bassist Mark Dresser, Lossing booked a recording studio for a mere four hours to instill a “real sense of urgency" to the proceedings. The ensuing session benefits from this pre-imposed constraint by lending an air of palpable tension to the work. Full of simmering intensity and dramatic flair, this is dark, intuitive ...

189
Album Review

Russ Lossing / Mat Maneri / Mark Dresser: Metal Rat

Read "Metal Rat" reviewed by Karla Cornejo Villavicencio


Much has been said about brevity by men who were anything but. Now, art benefits from aesthetic and compositional purity--no unnecessary lines, no superfluous words, no ostentatious displays of skill--but it is usually a byproduct of a brilliant work, not the sole purpose. Pianist Russ Lossing, violist Mat Maneri and bassist Mark Dresser manage dexterously to combine deliberateness and improvisation in Metal Rat, an album of established collaboration. In the liner notes, Lossing reveals that the album was recorded in ...

279
Album Review

Russ Lossing: Metal Rat

Read "Metal Rat" reviewed by Budd Kopman


Metal Rat is a triumph from beginning to end. Along with pianist/leader Russ Lossing, violist Mat Maneri and bassist Mark Dresser have created a work of terrifying intensity and concentration of purpose that is engaging at many levels, simultaneously manifesting a steely ferocity that is nevertheless almost unbearably beautiful. The ten tracks have but two actual compositions ("Turn" and “Is Thick With"), which are easy to distinguish as such. The other tracks are a mix of trio ...


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