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Jazz Articles about Rudy Royston
Josh Lawrence: Measured Response
by David A. Orthmann
Art Hirahara's brief, cryptic solo piano intro to “Where Do We Go?," the opening track of trumpeter/flugelhornist Josh Lawrence's album, offers little indication of what immediately follows: Lawrence's warm-toned, delectable horn surrounded by relaxed, straightforward, middling-tempo swing courtesy of bassist Luques Curtis and drummer Rudy Royston. This intriguing transition sets the stage for a recording that establishes a loose continuity amid changes in mood and temperament. Measured Response encompasses an impressive stylistic reach. “A Tragic Tango Comedy" ...
Continue ReadingAmina Figarova & Matsiko World Orphan Choir: Suite For Africa
by Dan McClenaghan
Happenstance played a hand in two of pianist Amina Figarova's finest recordings. The first time around it was September Suite (Munich Records, 2005). Though based in the Netherlands at the time, Figarova was staying in New York City when the planes flew into the World Trade Center buildings on September 11th, 2001. The music for the album was her reaction to the event, to the grief and mourning it caused. Heading a superb sextet, she created a beautiful ode to ...
Continue ReadingRudy Royston: DAY
by Vic Albani
Rudy Royston, batterista di prima classe (Bill Frisell, Dave Douglas, JD Allen, Ben Allison, Rudresh Mahanthappa e molti altri), approda con Day alla sua quinta uscita per l'etichetta del signor Dave Douglas, Greenleaf. Day è la seconda uscita dei Flatbed Buggy, vale a dire dell'avventuroso combo creato dal batterista con l'aiuto delle bass lines di Joe Martin, dei clarinetti di John Ellis, del violoncello di Hank Roberts e della fisarmonica di Gary Versace. L'idea base del lavoro omaggia la giovinezza ...
Continue ReadingBehn Gillece: Stick Together
by David A. Orthmann
While Behn Gillece's Stick Together, the vibraphonist's seventh disc for the Posi-Tone imprint, includes an abundance of highlights and exciting moments, there is something more substantive here than a band of excellent players constantly going full bore. The disc functions within the parameters of tried-and-true modern jazz practices, yet the difference between it and releases that bear a stylistic resemblance lies in a distinctive group sound that stays front and center amid compelling individual contributions. Regardless of ...
Continue ReadingBehn Gillece: Stick Together
by Kyle Simpler
The vibraphone came to prominence during the Jazz Age of the '20s and has remained a staple in that genre ever since. Over the years, performers such as Lionel Hampton, Milt Jackson and Gary Burton have added to the popularity of the instrument. N ow vibraphonist Behn Gillece is building from this legacy to develop his own unique sound. With Stick Together, his seventh Posi-Tone release, Gillece gives listeners a delightful collection of music which not only highlights his musical ...
Continue ReadingAlbert Vila: Reality Is Nuance
by Richard J Salvucci
Notwithstanding a sojourn at the Manhattan School of Music, Albert Vila is better known in European jazz circles than in the U.S.A.. A native of Barcelona, Vila does his touring in Europe but the appeal of his playing is much broader. If there ever was a jazz guitarist “deserving of wider recognition" in US circles, it is Vila. Despite his profoundly Iberian touch (listening to him is a bit like listening to the renowned classical guitarist Narciso Yepes) his current ...
Continue ReadingWillie Morris: Attentive Listening
by David A. Orthmann
Attentive Listening, Willie Morris 's second Posi-Tone release in as many years, documents the continuing evolution of a jazz master in the making. Like last year's Conversation Starter, the tenor saxophonist/composer thrives in the stimulating company of alto saxophonist/alto flutist Patrick Cornelius and pianist Jon Davis. Bassist Boris Kozlov and drummer Rudy Royston round out a rhythm section that fuels the record's impressive reach. Early on, Morris' “Water Fountain Of Youth" and “The Imitation Game" are up-tempo ...
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