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4

Liner Notes

Archie Shepp: The Way Ahead, Kwanza, The Magic Of Ju-Ju Revisited

Read "Archie Shepp: The Way Ahead, Kwanza, The Magic Of Ju-Ju Revisited" reviewed by Mark Corroto

by Mark Corroto

Allow me to expand on a much restated quote from Albert Ayler: “Coltrane was The Father, Pharoah was The Son, and I was... The Holy Ghost." If we remain with the Christian iconography, that makes Archie Shepp, Simon Peter, or the Apostle Peter whom Jesus called the rock upon which he built his church. Christened by his tenure in the early 1960s with Cecil Taylor, Shepp was baptized into what we now call a modernist approach. In meeting Coltrane, a ...

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17

Album Review

Archie Shepp: The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited

Read "The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited" reviewed by Chris May

by Chris May

2023 kicks off with the bangingest back-in-the-day bang from the Swiss-based ezz-thetics label, whose carefully curated and remastered 1960s sessions from Archie Shepp, Horace Silver, John Coltrane and Albert Ayler lit up the reissue calendar in 2022. Shepp's The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited comes in at a whisker over seventy-nine minutes and includes all four tracks from The Way Ahead (Impulse!, 1968), two tracks from Kwanza (Impulse!, recorded 1969, released 1974) and the ...

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19

Album Review

Thelonious Monk Quartet: Live Five Spot 1958 Revisited

Read "Live Five Spot 1958 Revisited" reviewed by Chris May

by Chris May

What are the first two names that come to mind on reading the phrase 'Thelonious Monk's saxophonist'? Chances are they will be John Coltrane or Charlie Rouse. The runner-up could be Sonny Rollins and somewhere further down the field might be Johnny Griffin. Griffin deserves to move up the list. The hard blowing, express velocity, R&B-schooled tenor player starting gigging with Monk in 1948. In 1955, he was the Monk quartet's saxophonist during a one-week residency in ...

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5

Album Review

Chick Corea: The Montreux Years

Read "The Montreux Years" reviewed by Doug Collette

by Doug Collette

If there is anything more ambitious than curating an extensive, comprehensive collection covering the history of an artist, it is collating selected works which vividly outline a particular timeline or theme. Chick Corea's The Montreux Years is a fine example of the latter; this seventh edition in the archive series devoted to the iconic festival not only reflects the late composer and pianist's technical skills, but also his eclectic stylistic tastes. And that is not to mention his fondness for ...

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6

Album Review

Charlie Parker: Be Bop Live

Read "Be Bop Live" reviewed by Mark Corroto

by Mark Corroto

The name of the record label is ezz-thetics, which was also a composition by George Russell and an album of the same name (which featured Eric Dolphy) released by Riverside Records in 1961. Maybe a better moniker for the label is “Lest We Forget." Not that we could ever abandon Charlie Parker, but today when streaming services replace CDs and LPs, which also replaced 78s and live radio broadcasts (the streaming service of its day), Parker has the possibility of ...

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Album Review

Charlie Parker Quintets: Be Bop Live

Read "Be Bop Live" reviewed by Stefano Merighi

by Stefano Merighi

Benvenuti a uno dei convegni di bellezza più eccitanti che il jazz abbia mai prodotto. Royal Roost, New York City, dicembre 1948-febbraio 1949, due mesi in cui Charlie “Bird" Parker teneva il cartellone nel club della Quarantasettesima, sconvolgendo il pubblico con alcune tra le sue esibizioni più brillanti. Il bop era già linguaggio assimilato ormai, ma l'eccezionalità di quelle serate confermava Parker come punta di diamante di tutta la cultura africana-americana, al di là delle correnti jazzistiche.Questo doppio ...

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1

Live Review

Roy Haynes Fountain of Youth Band Featuring Pat Metheny at the Blue Note

Read "Roy Haynes Fountain of Youth Band Featuring Pat Metheny at the Blue Note" reviewed by Koby Hayon

by Koby Hayon

Roy Haynes Fountain of Youth Band Featuring Pat Metheny Blue Note New York, NY March 13, 2016 Jazz luminary Roy Haynes has forever captivated audiences with his innovative playing and his concert (and 91st birthday celebration) on March 13th, at New York City's Blue Note was no different. The drummer, staying true to his eccentric and incessantly youthful style, began the evening by eliciting the audience to join him in singing “The Gambler," ...

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