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Archie Shepp: The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited
by Chris May
2023 kicks off with the bangingest back-in-the-day bang from the Swiss-based ezz-thetics label, whose carefully curated and remastered 1960s sessions from Archie Shepp, Horace Silver, John Coltrane and Albert Ayler lit up the reissue calendar in 2022. Shepp's The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited comes in at a whisker over seventy-nine minutes and includes all four tracks from The Way Ahead (Impulse!, 1968), two tracks from Kwanza (Impulse!, recorded 1969, released 1974) and the ...
Continue ReadingThelonious Monk Quartet: Live Five Spot 1958 Revisited
by Chris May
What are the first two names that come to mind on reading the phrase 'Thelonious Monk's saxophonist'? Chances are they will be John Coltrane or Charlie Rouse. The runner-up could be Sonny Rollins and somewhere further down the field might be Johnny Griffin. Griffin deserves to move up the list. The hard blowing, express velocity, R&B-schooled tenor player starting gigging with Monk in 1948. In 1955, he was the Monk quartet's saxophonist during a one-week residency in ...
Continue ReadingChick Corea: The Montreux Years
by Doug Collette
If there is anything more ambitious than curating an extensive, comprehensive collection covering the history of an artist, it is collating selected works which vividly outline a particular timeline or theme. Chick Corea's The Montreux Years is a fine example of the latter; this seventh edition in the archive series devoted to the iconic festival not only reflects the late composer and pianist's technical skills, but also his eclectic stylistic tastes. And that is not to mention his fondness for ...
Continue ReadingCharlie Parker: Be Bop Live
by Mark Corroto
The name of the record label is ezz-thetics, which was also a composition by George Russell and an album of the same name (which featured Eric Dolphy) released by Riverside Records in 1961. Maybe a better moniker for the label is “Lest We Forget." Not that we could ever abandon Charlie Parker, but today when streaming services replace CDs and LPs, which also replaced 78s and live radio broadcasts (the streaming service of its day), Parker has the possibility of ...
Continue ReadingCharlie Parker Quintets: Be Bop Live
by Stefano Merighi
Benvenuti a uno dei convegni di bellezza più eccitanti che il jazz abbia mai prodotto. Royal Roost, New York City, dicembre 1948-febbraio 1949, due mesi in cui Charlie “Bird" Parker teneva il cartellone nel club della Quarantasettesima, sconvolgendo il pubblico con alcune tra le sue esibizioni più brillanti. Il bop era già linguaggio assimilato ormai, ma l'eccezionalità di quelle serate confermava Parker come punta di diamante di tutta la cultura africana-americana, al di là delle correnti jazzistiche.Questo doppio ...
Continue ReadingRoy Haynes Fountain of Youth Band Featuring Pat Metheny at the Blue Note
by Koby Hayon
Roy Haynes Fountain of Youth Band Featuring Pat Metheny Blue Note New York, NY March 13, 2016 Jazz luminary Roy Haynes has forever captivated audiences with his innovative playing and his concert (and 91st birthday celebration) on March 13th, at New York City's Blue Note was no different. The drummer, staying true to his eccentric and incessantly youthful style, began the evening by eliciting the audience to join him in singing “The Gambler," ...
Continue ReadingJazz in the New Millennium: Live and Well by Rick Mitchell
by C. Michael Bailey
Jazz in the New Millennium: Live and Well Rick Mitchell 339 Pages ASIN: #B00N2331GC Dharma Moon 2014 Much of jazz analysis and reportage is history; the exposition and re-exposition of old forms and older artists. Precious few books written about jazz today have contemporary artists or movements as their subject. Rick Mitchell's Jazz in the New Millennium: Live and Well happily flies in the face of the old with an eye on ...
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