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About Ron Thomas

305

Album Review

Ron Thomas: Two Lonely People

Read "Two Lonely People" reviewed by Dan McClenaghan

by Dan McClenaghan

A spin through pianist Ron Thomas's discography as a leader doesn't always directly point toward the music found on Two Lonely People. His two masterful trio outings, Music in Three Parts (Art of Life Records, 2006) and Doloroso (Art of Life Records, 2006) are both full of abstract and elastic originals; the highly electric and compellingly otherworldly Elysium (Vectordisc, 2009) stretches the boundaries way, way “out there"; and his 17 Solo Piano Improvisations (Vectordisc, 2006) leans heavily on the pianist's ...

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276

Album Review

Bobby Rose / Ron Thomas: Galaxy

Read "Galaxy" reviewed by Dan McClenaghan

by Dan McClenaghan

On Galaxy a couple of mainstream jazz guys sit down and plug in to see where the interstellar winds will take them.The profiles of guitarist Bobby Rose and keyboardist Ron Thomas, subject to the laws of gravity, have not achieved the heights commensurate with their talent--an old jazz story. But both are immensely creative artists. The duo has recorded, separately, albums with guitarist Pat Martino: the mainstream Footprints (Muse records, 1972) and the early foray into what we ...

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462

Album Review

Ron Thomas / John Swana / Joe Mullen: Elysium

Read "Elysium" reviewed by Dan McClenaghan

by Dan McClenaghan

The sound of Elysium is, in a word, otherworldly. Then throw in the electro-industrial tinge and cold liquid submersion resonance--like the noise of a high tech blacksmith shop on a distant planet with a dense atmosphere and heavier than Earth gravity like Neptune--music of an alien culture, or songs played for cryogenically suspended astronauts slumbering their way across vast expanses of space.Such are the sounds created by keyboardist Ron Thomas, trumpeter John Swana and drummer Joe Mullen.

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180

Album Review

Ron Thomas / Paul Klinefelter: Blues for Zarathustra

Read "Blues for Zarathustra" reviewed by Budd Kopman

by Budd Kopman

With Blues For Zarathustra, pianist Ron Thomas returns to an area of interest that has always been a part of his musical life, but which has not be emphasized or recorded recently. What he presents, with his long time playing partner, bassist Paul Klinefelter, is a straight-ahead set where simplicity, delicate intensity, constant interplay and a fertile imagination rule. Those who have followed Thomas' output, including his solo works, 17 Solo Improvisation (Vectordisc, 2006) and Wings of ...

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438

Album Review

Ron Thomas: 17 Solo Piano Improvisations

Read "17 Solo Piano Improvisations" reviewed by Budd Kopman

by Budd Kopman

Music is the language of sound, of vibrations; and hence, at a basic level, of physics. The history of Western music is an effort to understand and control how these vibrations interact and relate to each other, always with an ear towards how they affect the listener. Music's emotional affect on us is its greatest mystery. Pianist Ron Thomas' 17 Solo Piano Improvisations is an exploration of certain features of the music of Franz Liszt, as they ...

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377

Album Review

Ron Thomas: Wings of the Morning

Read "Wings of the Morning" reviewed by Budd Kopman

by Budd Kopman

Pianist Ron Thomas has led an extremely interesting life, musically and otherwise, and it is distilled into the lovely and intense set of pieces on Wings of the Morning, originally recorded in 1978, and now reissued on CD. Training from a young age to be a concert pianist, Thomas eventually realized that the rigors and mindset necessary for that kind of musical life were not his forte, and he turned to composition, studying with many famous people ...

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445

Album Review

Ron Thomas/John Swana/Joe Mullen: Cycles

Read "Cycles" reviewed by Dan McClenaghan

by Dan McClenaghan

Many jazz pianists have a grounding in the classical side of music. Ron Thomas's anchoring may be deeper there than most. His back-to-back piano trio outings, Doloroso (Art of Life Records, 2006) and Music in Three Parts (Art of Life Records, 2006), explored some very alluring, loose sound shapes shaded by his classical side in a quite accessible way--gorgeous recordings, both.

A trip to the pianist/composer's website and an exploration of his eloquent and extensive ramblings is quite a strange ...

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