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Jazz Articles about Ron Stout
Marina Pacowski: New Jazz Standards, Volume 7
by Jack Bowers
To those who know--really know--their breathtaking jazz trumpeters, Carl Saunders was definitely in a class by himself. Simply put, there was nothing Saunders could not do on the horn, from nailing seemingly insurmountable high notes to creating intricate and mind- blowing solos, all the while making it seem so effortless that many listeners thought he must have found and harnessed a secret weapon of which others were unaware. What many of his admirers did not know was ...
Continue ReadingThe Jim Self & John Chiodini Quintet: Touch and Go
by Jack Bowers
A quintet whose front line consists of tuba, guitar and trumpet. How does that work? Quite well, actually--at least when that front line includes tuba master Jim Self, guitarist John Chiodini and trumpeter Ron Stout, ably supported by bassist Ken Wild and drummer Kendall Kay, on the Jim Self and John Chiodini Quintet's album, Touch and Go. The music they make can best be described as smooth and tasteful--although “swinging" would not be out of place either, ...
Continue ReadingJim Self: My America 2: Destinations
by Jack Bowers
Tuba maestro Jim Self's My America 2: Destinations is a successor of sorts to the album My America, recorded and released some twenty years before, also on Self's Basset Hound label. While personnel has inevitably changed (only trombonist Bill Booth returns from that earlier album), Self has employed the services of the same arranger, Kim Scharnberg—and thank goodness for that! Although Self and his eleven-member supporting cast acquit themselves well, it is Scharnberg's ingenious charts that make this engine run. ...
Continue ReadingDave Slonaker: Convergency
by Richard J Salvucci
In December 1910, Virginia Woolf once observed, human character changed and, along with it, so did everything else. Politics, society, religion, sex, all of it, she thought, would leave the ancien regime behind. And, to a point, she was correct. Within a few years, the old world was gone, swept away by war and revolution. It was not coming back. Ever. Somehow, listening to the marvelous musical products of modern big bands, Woolf seems oddly relevant. The level ...
Continue ReadingDave Slonaker Big Band: Convergency
by Jack Bowers
While big-band albums generally differ, sometimes widely, in tone and temperament, there are definitive criteria by which every one may be evaluated--arrangements, performers, sound quality, sequencing and, above all, the elusive but imperative swing quotient. Dave Slonaker checks all those boxes and more on Convergency, a superlative successor to his excellent Grammy-nominated debut album, Intrada, released in 2013. To begin with, Slonaker, best known as a film and television composer, is an excellent big-band writer and arranger, ...
Continue ReadingDave Slonaker Big Band: Convergency
by Troy Dostert
Composer/conductor Dave Slonaker probably won't qualify as “prolific," at least based on recorded output alone, as he spends a lot of his time behind the scenes in film and television work—but one must appreciate the level of craftsmanship that he brings to his big band projects. His debut release, Intrada (Origin Records, 2014), received a well-earned Grammy nomination, and his sophomore effort is no less accomplished, with the well-designed compositions and outstanding ensemble work that justify all the attention it ...
Continue ReadingJim Self: Hangin' Out
by Richard J Salvucci
One can be forgiven for not knowing a saxhorn from a saxophone, or, for that matter, whether a particular horn is a member of a certain family. Yes, there are aficionados (not to mention serious players) who can quite accurately describe the histories of the instruments, their lineages, and their peculiarities or idiosyncracies. Yet for many, it is difficult to distinguish a cornet from a trumpet. With a clever choice of mouthpiece, an adept instrumentalist can render them basically indistinguishable ...
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