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Jazz Articles about Rogerio Boccato

8
Album Review

Renee Rosnes: Kinds of Love

Read "Kinds of Love" reviewed by C. Andrew Hovan


When Canadian pianist Renee Rosnes decided to make her mark in the jazz world, she wasted no time, making an auspicious start as a member of Joe Henderson's all-female quartet in 1986. Fast forward thirty-five years and her career continues to advance on an upward trajectory. Her third offering for Smoke Sessions, Kinds of Love, is yet another brilliant showcase for Rosnes, both as a pianist and composer. The top tier ensemble assures sublime renditions of the composer's originals, with ...

11
Album Review

Renee Rosnes: Kinds of Love

Read "Kinds of Love" reviewed by Mike Jurkovic


Still riding high on the energy generated by her superwoman jazz group Artemis—Anat Cohen, Melissa Aldana, Ingrid Jensen, Noriko Ueda and Allison Miller— pianist Renee Rosnes, undaunted by the string of world crises but just as ruminative as the rest of us, elicits some of the most emotive and enthralling music of her career on Kinds of Love. Drummer Carl Allen and percussionist and vocalist Rogério Boccato set “Silk" into shadowy, tribal motion from which Rosnes and the ...

2
Album Review

Kristiana Roemer: House of Mirrors

Read "House of Mirrors" reviewed by Jerome Wilson


Kristiana Roemer is a young German singer whose voice has a lilt and plush texture reminiscent of Annette Peacock. On this, her first album, she uses her intriguing sound in the service of both conventional jazz tunes and floating, airy pieces which border on art songs. Most of the material here is her own writing, though some lyrics derive from others' poetry. In addition, she proves her jazz bona fides by including familiar tunes by Stanley Turrentine and Charles Mingus. ...

3
Album Review

Svetlana Shmulyian: Night at the Movies

Read "Night at the Movies" reviewed by C. Michael Bailey


Svetlana Shmulyian is a gift that keeps on giving. The Russian-American emigre made her recording debut with Night at the Speakeasy (AO2 Records, 2016), where she infused the Great American Songbook's early canon with an Eastern essence of determination and intelligence. The singer followed that with her survey of film music Night at the Movies (Starr Records, 2020). Then the pandemic emerged, changing everything in the musical performance landscape. Shmulyian responded by surprising listeners with an outtake from ...

1
Album Review

Dave Pietro: Hypersphere

Read "Hypersphere" reviewed by Paul Rauch


You may not know the name Dave Pietro offhand, but it is likely, if you are a jazz fan of any sort, that you have heard him play. As a saxophone/woodwind artist, composer, educator, sideman, and bandleader, he has performed across a broad spectrum of projects since his becoming a mainstay on the New York scene in 1987. That aspect of his career has enabled a sizable skill set that transfers over into his personal projects. His compositional ...

4
Album Review

Svetlana Shmulyian: Night at the Movies

Read "Night at the Movies" reviewed by C. Michael Bailey


Russian-American singer Svetlana Shmulyian has blended an East Europe/Russia combination of elegant determination and delicate grit into the American Songbook on her debut recording Night at the Speakeasy (AO2 Records, 2016), and then film music on Night at the Movies (Starr Records, 2020). The artist surprised listeners by dropping an outtake from Night at the Movies, “Young and Beautiful" from The Great Gatsby (Warner Bros., 2013) in response to the global COVID-19 pandemic. “Young and Beautiful" was ...

3
Album Review

Charles Pillow Ensemble: Chamber Jazz

Read "Chamber Jazz" reviewed by Jack Bowers


Chamber Jazz, alto saxophonist Charles Pillow's eighth recording as leader of his ensemble, is a generally sedate but remarkably engaging series of tone poems that combine contemporary jazz with elements of classical music to produce a hybrid that underlines what is most harmonious and charming in each genre. Chamber Jazz is what it says, and chamber jazz is what it is. For comparison's sake, think of the ensemble as the Modern Jazz Quartet times five. True, there is no John ...


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