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Jazz Articles about Rodrigo Amado

16

Album Review

Rodrigo Amado: Refraction Solo

Read "Refraction Solo" reviewed by Mark Corroto


Are you familiar with Pablo Picasso's found art sculpture “Bull's Head"? It was created in 1942 from bicycle handlebars and a bike's saddle. Picasso was walking down the street and spotted the discarded items, and in a flash joined the two, creating an obvious depiction of a bull's head. That same spontaneous moment of creation informs the music from Rodrigo Amado's Refraction Solo. Like Picasso, the musician is a trained and highly skilled artist. Amado leads or is ...

4

Radio & Podcasts

Ullman/Swell Quartet, The Attic Frank Carlberg & Josh Sinton

Read "Ullman/Swell Quartet, The Attic Frank Carlberg & Josh Sinton" reviewed by Maurice Hogue


Improvisers abound in this episode. Portugal's Rodrigo Amado & The Attic, Bernardo Tinoco & Tom Maciel, Joao Lencastre's quartet, and Pedro Alves Sousa and friends lead the way, while the Chilean band Nichunimu makes its debut with a startling use of electronics. Baritone saxophonist Josh Sinton's back with a new release by his Predicate Quartet, more from Stephen Gauci, Gebhard Ullmann &Steve Swell are joined by bassist Hilliard Greene and drummer Barry Altschul stir the pot with their new We're ...

10

Album Review

Rodrigo Amado Northern Liberties: We Are Electric

Read "We Are Electric" reviewed by John Sharpe


Portuguese saxophonist Rodrigo Amado hits the jackpot with the debut by his Northern Liberties quartet. He's found gifted collaborators in the Norwegian threesome of trumpeter Thomas Johansson, drummer Gard Nilssen and bassist Jon Rune Strøm. Amado's preferred domain is muscular free jazz. It's territory he's thoroughly explored with his Motion Trio, supplemented by guests like trumpeter Peter Evans and pianist Alexander von Schlippenbach, and with his This Is Our Language band with Joe McPhee. While the Scandinavian ...

10

Album Review

Rodrigo Amado Northern Liberties: We Are Electric

Read "We Are Electric" reviewed by Mark Corroto


The predicament with modern albums is that an album is often more than just one album. With the advent of streaming music, and compact discs before it, music expands beyond the unit we traditionally designated as side one or side two of an LP. A perfect example of this concept is We Are Electric by the Portuguese-Norwegian collaboration Rodrigo Amado Northern Liberties. Three of the four tracks here could easily be considered a freestanding LP side and, if that were ...

9

Album Review

Rodrigo Amado Northern Liberties: We Are Electric

Read "We Are Electric" reviewed by Troy Dostert


By all accounts, 2021 was a very good year for Rodrigo Amado. One of the leading lights of the Portuguese avant-garde, the indefatigable tenor saxophonist first released The Field (NoBusiness), featuring his Motion Trio (with cellist Miguel Mira and drummer Gabriel Ferrandini) alongside guest pianist Alexander von Schlippenbach, and Let the Free Be Men (Trost), with his now-frequent collaborators saxophonist Joe McPhee, bassist Kent Kessler and drummer Chris Corsano. But if these two albums come to overshadow We Are Electric, ...

3

Radio & Podcasts

Rodrigo Amado, Pepa Paivinen & Luca Perciballi

Read "Rodrigo Amado, Pepa Paivinen & Luca Perciballi" reviewed by Maurice Hogue


There's a distinct European flavour to this episode of One Man's Jazz. Powerhouse Portuguese saxophonist Rodrigo Amado snagged three of Norway's top improvisers Thomas Johansson, Jon Rune Strøm and Gard Nilssen) to form a new band he calls Northern Liberties, and the quartet does exactly that on the new We Are Electric. Also in this playlist are guitarists Javier Subatin from Portugal and Luca Perciballi and Francesco Baiguera from Italy, while from northern climes, saxophonist Pepa Päivinen debuts a new ...

9

Album Review

Rodrigo Amado This Is Our Language Quartet: Let The Free Be Men

Read "Let The Free Be Men" reviewed by John Sharpe


Portuguese tenor saxophonist Rodrigo Amado adds another stunning entry to his discography with the third album from his This Is Our Language Quartet. It was actually recorded live in Copenhagen, three days before the outfit's second studio outing, A History Of Nothing (Trost, 2018) so, unsurprisingly, presents the same starry roster completed by multi-instrumentalist Joe McPhee, bassist Kent Kessler and drummer Chris Corsano. The resultant blend of spontaneous free jazz, by turns refined, beautiful, exhilarating, heart-rending and belligerent, remains similarly ...


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