Home » Jazz Articles » Rodney Whitaker
Jazz Articles about Rodney Whitaker
Rodney Whitaker: Oasis: The Music of Gregg Hill
by Jack Bowers
Oasis is the third time around for bassist Rodney Whitaker and music written by fellow Michigander Gregg Hill, following Common Ground (Origin 82780) and Outrospection (Origin 82819). Personnel is the same as on Common Ground (Terell Stafford, trumpet; Tim Warfield, saxophone; Bruce Barth, piano; Dana Hall, drums; Rockelle Fortin, vocals) with Hall and Fortin returning from Outrospection (on which Fortin is listed as Rockelle Whitaker). Hill's compositions are for the most part firmly grounded in customary post-bop ...
Continue ReadingNathan Borton: Each Step
by Jane Kozhevnikova
Each Step is the debut recording by guitarist Nathan Borton. As his website accurately states, Borton draws heavily from the mid-western tradition of bebop and blues. His influences include Wes Montgomery, Grant Green and Kenny Burrell. The album offers an enjoyable tour through the straight-ahead tradition. There are three standards early on: Cole Porter's “Just One of Those Things," Harry Warren's “The More I See You" and John Lewis' “Milestones." These show the virtuosity of Borton's solo lines. ...
Continue ReadingJordan VanHemert: Nomad
by Jane Kozhevnikova
After his previous album, I Am Not A Virus (Big Round Records, 2021), inspired by the ongoing fight against racial prejudice, Jordan VanHemert releases Nomad, continuing to explore and embrace his Asian American identity. As the liner note says, this album is a celebration of Korean culture “through the melodies of both ancient & contemporary folk & children's songs, distilled through a modern jazz aesthetic." The opening tracks sound like a traditional saxophone trio similar to Sonny Rollins' ...
Continue ReadingJordan VanHemert: Nomad
by Jack Bowers
Although his name offers no clue, saxophonist Jordan VanHemert's heritage is Korean. He salutes that legacy on Nomad, his second album as leader, with a pair of Korean folk songs and half a dozen comparatively modern themes written by Koreans or Korean Americans. Most are performed by VanHemert's trio: (Rodney Whitaker, bass; David Alvarez III, drums). Pianist Lisa Sung, guitarist Nathan Borton, bassist John Webber, drummer Max Colley III and vocalist Sharon Cho join VanHemert on the children's song “Half ...
Continue ReadingNathan Borton: Each Step
by Jack Bowers
Judging from recent album releases, the guitar remains an essential part of the contemporary jazz scene. The latest example among many is this tasteful session led by Kansas-born, Michigan-based Nathan Borton, adding his name to an ample roster of newly minted guitar-led or guitar-centered albums by Doug MacDonald, Graham Dechter, Kristian Borring, Randy Napoleon, John Moulder, Hendrik Braeckman, Paul Bollenback, Matt Dingledine and others. What does Borton have that they may not? When it comes to technique and perception—that is, ...
Continue ReadingNathan Borton: Each Step
by Dan McClenaghan
The 1960s were fine and formative times for jazz guitar. Wes Montgomery was there. So was Grant Green. The pair led the pack, and still do, to an extent. Guitarist Nathan Borton, with his debut recording, Each Step, embraces the traditions of these two influences. Borton's sound comes directly out of the straight ahead bebop style, beginning with the album's title tune, a Borton original--a gorgeous easy swinger. Cole Porter's oft-covered “Just One Of Those Things" turns up ...
Continue ReadingRandy Napoleon: Rust Belt Roots: Randy Napoleon Plays Wes Montgomery, Grant Green & Kenny Burrell
by Jack Bowers
One's response to jazz--indeed, to music of any kind--most often depends on where he or she is coming from. To erase any doubts about where he is coming from, guitarist Randy Napoleon has subtitled his album, Rust Belt Roots, “Plays Wes Montgomery, Grant Green and Kenny Burrell." This is music born of a Midwestern ethos: Indianapolis (Montgomery), St. Louis (Green), Detroit (Burrell). Napoleon called Michigan home before moving to New York City in 1999, and has never forgotten the enormous ...
Continue Reading
