Jazz Articles about Rodney Whitaker

About Rodney Whitaker

Album Review

Jordan VanHemert: Deep in the Soil

Read "Deep in the Soil" reviewed by Jack Bowers

by Jack Bowers
September 1, 2024

Energy and enthusiasm fairly leap from the speakers--or headphones--on Sharel Cassity's daring “Call to Order," the opening number on Korean-born saxophonist Jordan VanHemert's fifth album as leader, Deep in the Soil. Alas, that same ardor doesn't reappear until track seven (of eight), trombonist Michael Dease's boppish “ST in the House." In between, VanHemert and his companions (group sizes vary from sextet to duo) offer some agreeable music but nothing that approaches the ebullience or cogency of the themes already named. ...

Liner Notes

Jordan VanHemert: Deep in the Soil

by C. Andrew Hovan
March 20, 2024

Born in Korea and raised in Michigan, Jordan VanHemert counts himself among those youngsters that got involved in his school music program by starting out on the alto saxophone. Also like many of his fellow saxophonists, VanHemert eventually moved away from the smaller horn to devote his full energies to the tenor sax, an instrument emblematic of the jazz heritage. “In my formative years, I was almost exclusively an alto saxophonist," VanHemert explained from his current home base in Oklahoma. ...

Album Review

Randy Napoleon: The Door is Open: The Music of Gregg Hill

Read "The Door is Open: The Music of Gregg Hill" reviewed by Paul Rauch

by Paul Rauch
February 5, 2024

In and around the formidable jazz studies program at Michigan State University is a plethora of jazz talent devoted to instrumental and compositional excellence. Most of this talent is young, benefiting from a wide array of world-class instructors that includes program director Rodney Whitaker and veteran guitarist Randy Napoleon, among other notables. Within this labyrinth of jazz wisdom in the Detroit / Lansing metroplex is composer Gregg Hill, a former truck driver and tech entrepreneur whose performing ambitions were superseded ...

Album Review

Rodney Whitaker: Oasis: The Music of Gregg Hill

Read "Oasis: The Music of Gregg Hill" reviewed by Jack Bowers

by Jack Bowers
January 25, 2023

Oasis is the third time around for bassist Rodney Whitaker and music written by fellow Michigander Gregg Hill, following Common Ground (Origin 82780) and Outrospection (Origin 82819). Personnel is the same as on Common Ground (Terell Stafford, trumpet; Tim Warfield, saxophone; Bruce Barth, piano; Dana Hall, drums; Rockelle Fortin, vocals) with Hall and Fortin returning from Outrospection (on which Fortin is listed as Rockelle Whitaker). Hill's compositions are for the most part firmly grounded in customary post-bop ...

Album Review

Nathan Borton: Each Step

Read "Each Step" reviewed by Jane Kozhevnikova

by Jane Kozhevnikova
May 29, 2022

Each Step is the debut recording by guitarist Nathan Borton. As his website accurately states, Borton draws heavily from the mid-western tradition of bebop and blues. His influences include Wes Montgomery, Grant Green and Kenny Burrell. The album offers an enjoyable tour through the straight-ahead tradition. There are three standards early on: Cole Porter's “Just One of Those Things," Harry Warren's “The More I See You" and John Lewis' “Milestones." These show the virtuosity of Borton's solo lines. ...

Album Review

Jordan VanHemert: Nomad

Read "Nomad" reviewed by Jane Kozhevnikova

by Jane Kozhevnikova
May 16, 2022

After his previous album, I Am Not A Virus (Big Round Records, 2021), inspired by the ongoing fight against racial prejudice, Jordan VanHemert releases Nomad, continuing to explore and embrace his Asian American identity. As the liner note says, this album is a celebration of Korean culture “through the melodies of both ancient & contemporary folk & children's songs, distilled through a modern jazz aesthetic." The opening tracks sound like a traditional saxophone trio similar to Sonny Rollins' ...

Album Review

Jordan VanHemert: Nomad

by Jack Bowers
May 7, 2022

Although his name offers no clue, saxophonist Jordan VanHemert's heritage is Korean. He salutes that legacy on Nomad, his second album as leader, with a pair of Korean folk songs and half a dozen comparatively modern themes written by Koreans or Korean Americans. Most are performed by VanHemert's trio: (Rodney Whitaker, bass; David Alvarez III, drums). Pianist Lisa Sung, guitarist Nathan Borton, bassist John Webber, drummer Max Colley III and vocalist Sharon Cho join VanHemert on the children's song “Half ...