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The New York Second: Room for Other People

by Glenn Astarita
The New York Second is led by Dutch pianist and composer Harald Walkate, whose intricate arrangements and evocative compositions have earned him a reputation as a distinctive voice in contemporary jazz. His unique perspective is shaped by his dual expertise in music and photography, two disciplines that dance together in his work like partners in an elegant waltz. This interplay shines throughout his latest project, Room for Other People, which melds auditory and visual artistry into a unified creative statement. ...
Continue ReadingJohn Surman: Words Unspoken

by Mario Calvitti
Giunto alla soglia degli 80 anni, che compirà in Agosto, e con alle spalle oltre mezzo secolo di attività professionale che ha prodotto una discografia imponente e importante sia in termini di quantità che di qualità, il sassofonista britannico John Surman aggiunge un'altra gemma luminosa al ricco catalogo delle sue opere, in gran parte documentato sulla etichetta tedesca ECM Records. Non si tratta dell'atteso disco in duo con il pianista norvegese Vigleik Storaas, annunciato durante il loro tour europeo della ...
Continue ReadingJohn Surman: Words Unspoken

by Joshua Weiner
Englishman John Surman has been one of jazz's most important reedmen since his debut album on the progressive Deram label in 1969. From the start, on classic albums such as John McLaughlin's Extrapolation, Surman displayed a unique voice on the baritone sax, soprano sax, and bass clarinet, sometimes adding electronics to the mix. Since his first appearance on Manfred Eicher's groundbreaking ECM label in 1976, Surman has forged an idiosyncratic path, releasing solo, duo, and quartet albums, transcultural collaborations (such ...
Continue ReadingJohn Surman: Words Unspoken

by Mike Jurkovic
Hypnotic and many of its antonyms--stimulating, arousing, reviving--are old school hyperbole which very often separates the hack from the veteran of critical science. But sometimes those everyday words are exactly what need to be said to tell of music unlike everyday and most others. Words Unspoken is just that. Blowing free and unhindered since 1966, and standing shoulder-to-shoulder with Terje Rypdal, Archie Shepp, Bill Frisell and John McLaughlin, British multi-reedist John Surman needs no lengthy introduction. He just ...
Continue ReadingWako: Wako

by Mark Sullivan
Bands will often self-title their debut album, as a kind of calling card to the world at large. But doing so on a fourth album implies a serious coming of age statement: this is really who we are. That is certainly the case here. Its third album, Urolige sinn (Øra Fonogram, 2018), was a blend of composed and improvised music: a collective voice, with a rare concision and focus. This album is entirely self-composed, with the bulk of the tracks ...
Continue ReadingJohn Surman: Invisible Threads

by Mario Calvitti
Dopo oltre 50 anni di attività professionale, il sassofonista britannico John Surman è ancora in grado di sorprenderci. Lo fa con il suo nuovo lavoro, pubblicato sempre dalla ECM, a 6 anni di distanza dal precedente Saltash Bells. Questo Invisible Threads è nato quasi per caso, da un incontro fortuito del sassofonista con la musica brasiliana e il pianista Nelson Ayres (membro del Grupo Pau Brasil), con il quale Surman ha trovato un'intesa musicale immediata e profonda. Il progetto era ...
Continue ReadingEyolf Dale: Return To Mind

by Roger Farbey
The follow-up to Eyolf Dale's Wolf Valley released on Edition Records in 2016 is no less impressive than its predecessor. Dale employs exactly the same line-up here so there are no major surprises except that Kristoffer Kompen now doubles on euphonium, Hayden Powell doubles on flugelhorn and Per Zanussi has dropped the saw. Dale himself is fast becoming one of Norway's most prominent jazz musicians gigging widely in Europe and beyond. He's also associate professor in jazz at the Norwegian ...
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