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Richie Beirach: Leaving
by Chris May
On Leaving, recorded in France in 2022, Richie Beirach revisits thirteen evergreen standards, seven of them grouped together in two medleys, and two of his own compositions ("Leaving," Sunday Song") written in the 1970s. The album is Beirach's first live solo recording since 1981. All of the material is more than familiar to Beirach and will be equally well known to seasoned jazz fans. In his liner note, Beirach says that this was intentional. He wanted to ...
read moreJohn Abercrombie: The First Quartet
by John Kelman
With the release of Arcade (1979), Abercrombie Quartet (1980) and M (1981), John Abercrombie's entire ECM discography as a leader is finally available on CD. Looking back at these albums and their position in his oeuvre, they are revealed as seminal documents of Abercrombie's arrival as a distinctive writer, improvising guitarist and bandleader, delivering on the promise of his first two ECM recordings under his own name, Timeless (1975) and Characters (1977). Abercrombie's subsequent career has, in many ways, been ...
read moreJohn Moulder: Metamorphosis
by Jack Bowers
As approximately fifty of the sixty-eight minutes on Chicago-based guitarist John Moulder's new CD, Metamorphosis, are devoted to the seven-part Metamorphosis Suite," that seems an appropriate point at which to start any appraisal of its contents and purpose. First and foremost, it is clear that considerable thought was given to mapping the structure of the suite, and that Moulder's quartet came well-prepared to accept and conform to his frame of mind. Whether the end result is worthy of approval is ...
read moreRichie Beirach: Exploring Who Matters Most Among the Jazz Pianists
by Victor L. Schermer
[The following is a commentary on pianist Richie Beirach's 2020 e-book The Historical Lineage of Modern Jazz Piano: The 10 Essential Players (Conversations between Richie Beirach and Michael Lake), downloadable for free here.] Jazz piano has always garnered (no intended reference to Erroll Garner) special interest among the instruments because it is truly an orchestra in itself. Its keys cover the full range from low bass to highest soprano, and it is tailored (no allusion to Dr. Billy ...
read moreRichie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 2
by Victor L. Schermer
Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as one of the most accomplished masters. While the aforementioned have developed a signature style, emotional power, and virtuosic technique, Beirach, above and beyond those ...
read moreRichie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1
by Victor L. Schermer
Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as one of the most accomplished masters. While the aforementioned have developed a signature style, emotional power, and virtuosic technique, Beirach, above and beyond those ...
read moreRichie Beirach-Gregor Huebner Duo and the WDR Big Band: Crossing Borders
by Jack Bowers
The borders" that are earmarked to be crossed in this new album by pianist Richie Bierach, violinist Gregor Huebner and Germany's superb WDR Big Band are both geographic and musical. The collaborative effort is intended, on the one hand, to bridge the gap between people of various ethnicities and backgrounds and help bring them together, and, on the other, to minimize the borders between classical music and jazz by allowing ample room for both genres to be heard, cross-referenced and ...
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