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Charles Lloyd & the Marvels: Tone Poem
by Vic Albani
Ecco il terzo lavoro di Charles Lloyd con i suoi Marvels, lo straordinario combo con Bill Frisell alla chitarra, Greg Leisz alla pedal steel guitar, Reuben Rogers al basso e Eric Harland alla batteria. Dopo I Long to See You del 2016 (con ospiti speciali come Norah Jones e Willie Nelson), e Vanished Gardens del 2018 (con -quella volta -un ospite speciale del calibro di Lucinda Williams) su Tone Poem Lloyd sceglie di lavorare senza ospiti e senza vocalist in ...
Continue ReadingCharles Lloyd and the Marvels: Tone Poem
by Mike Jurkovic
The download comes down the i-pipe in a virtual blue folder titled Charles Lloyd Tone Poem and the first thought upon initial listening is 'damn right it is'! It is a deceptively graceful covers album which immediately makes all the songs—many by none other than Ornette Coleman, Gabor Szabo and Leonard Cohen—their own highly active ecosystem of blurry form, focused response, and whatever else tickles Lloyd's fancy. Lloyd has been a genuine, spiritual force since the moment he ...
Continue ReadingJoshua Redman: Compass
by Jeff Stockton
No jazz musician with Joshua Redman's pedigree, chops and talent wants to be tagged as “cautious" or “cerebral," but that was Redman's reputation, perhaps right up until Back East was released in 2007. That CD, a return to straight-ahead acoustic playing after a brief digression, found the saxophonist fronting a few different rhythm sections (and standing next to a couple of guests) and generated natural comparisons to Sonny Rollins' classic Way Out West. Compass simultaneously extends the ...
Continue ReadingJoshua Redman: Compass
by Doug Collette
Joshua Redman has made some fine albums in the past, including Timeless Tales (For Changing Times) (Warner Bros., 1998), Passage of Time (Warner Bros., 2001) and Spirit of the Moment Live (Warner Bros., 1995), but he's never recorded one with such clarity of purpose as the self-produced Compass. In keeping with the dual meaning of the title word (alternately a verb to accomplish as well as the noun as a tool of direction) the saxophonist leads two different trios into ...
Continue ReadingJoshua Redman: Compass
by Chris May
Like its predecessor Back East (Nonesuch, 2007), saxophonist Joshua Redman's Compass invites comparisons with Sonny Rollins' totemic acoustic trio outing Way Out West (Riverside, 1957), whose instrumentation it reflects and whose influence Redman has acknowledged.
Another Rollins album which springs to mind, though more for its title than its structure, is Saxophone Colossus (Riverside, 1956); for with Compass, Redman, like Rollins 53 years earlier, has produced the most singular album of his career so far. Redman's previous acoustic ...
Continue ReadingJimmy Greene: Gifts and Givers
by Joel Roberts
It's probably time to cast aside labels like “up-and-coming" and “rising star" when describing Jimmy Greene. As Gifts and Givers makes clear, the Connecticut-born tenor saxophonist has definitely arrived. An inventive, technically-advanced mainstreamer, Greene made his mark in the bands of Horace Silver, Tom Harrell and Harry Connick Jr., as well as with younger studs like Jason Lindner and Avishai Cohen. On his fifth effort as a leader, he's paired with another young tenor titan, Marcus Strickland. ...
Continue ReadingAa.Vv.: Billy Strayhorn: Lush Life
by AAJ Italy Staff
Strettissimo collaboratore di Duke Ellington per quasi trent’anni, Billy Strayhorn è uno dei grandi autori della storia del jazz. Basta scorrere i titoli dei brani contenuti in questo album per rinfrescarsi la memoria. Oggi, a quarant’anni dalla sua scomparsa, l’etichetta Blue Note pubblica questo CD, nel quale alcune delle sue più famose composizioni vengono interpretate da un nucleo di artisti davvero impressionante. Al di là del singolo brano, o della declinazione che ad esso viene attribuita dai singoli musicisti, quello ...
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