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Jazz Articles about Raul Midon
The Vision of Raul Midón
by Leo Sidran
Raul Midón is a man who sees with sound. Blind since infancy, he has made a life--and a formidable body of work--guided by his ears, his intuition, and his insistence on carving his own path. To speak with Raul is to be reminded that perception is far more than a function of the eyes. It's a matter of attention, of attunement, of willingness to feel and listen. And for Raul, music has always been the most natural language ...
Continue ReadingRaul Midon at An Die Musik LIVE
by Matt Hooke
Raul Midon performed a solo set at An Die Musik LIVE in Baltimore on October 11, 2023 that showcased his artistic versality and ability to create a compelling show without a backing band. Midon's songwriting prowess showed throughout the evening as he transitioned from funk influenced songs to a Joni Mitchell inspired piano ballad. effortlessly. A highlight of Midon's set is how many different sounds he is able to create, from playing bongos and guitar at the same time, to ...
Continue ReadingChicago Soul Jazz Collective: It Takes a Spark to Start a Fire
by John Pietaro
Solace. Listening to classic 1960s soul-jazz as an escape from today's stresses united the musicians who founded the Chicago Soul Jazz Collective. Many of us know of that comfort, the one carried by a cursory view of nostalgia. But don't look too close. Tenor saxophonist John Fournier and trumpet player Marques Carroll built a band on this foundation, exploring the canon. Their sophomore effort is an album of urban tinder and smoke signals, recorded on vintage equipment. The final product ...
Continue ReadingRaul Midon: Flamenco’s Fire Into The Cool
by John Pietaro
Leaning into the tenacious chordal structure of “Bad Ass and Blind," Raul Midon's surging flurries, stinging dyads and whirling solos over nylon strings speak with artful determination. His vocals and guitar in aerial unison can be intoxicating. In his voice one hears terse vibrato, a searching, spiritual tone and the strain of hardship. Celebrated. For the concertgoer recognizing that the artist on stage—who also does uncanny 'trumpet' vocalizations and plays hand drums--is sightless, the experience becomes awe-inspiring. “There's not a ...
Continue ReadingJohn DiMartino: Passion Flower: The Music of Billy Strayhorn
by Dr. Judith Schlesinger
Pianist/composer/arranger/producer John DiMartino is a first-call veteran of the New York City jazz scene. This multi-recorded artist has long been a favorite of singers for his gigantic ears and intuitive, uncluttered playing—rare gifts which also enhance any instrumentalist he accompanies or arranges. All of these talents inform DiMartino's splendid Billy Strayhorn tribute, Passion Flower, where he is joined by his ever-superb colleagues: Eric Alexander on tenor saxophone, drummer Lewis Nash and bassist Boris Kozlov. The wonderful vocalist Raul Midon sings ...
Continue ReadingJohn di Martino: Passion Flower: The Music of Billy Strayhorn
by Jack Bowers
Composer / arranger Billy Strayhorn was barely twenty-three years old when he first met bandleader Duke Ellington, an encounter that would lead to a collaboration that lasted more than half of Strayhorn's life. During that time, Strayhorn wrote some of the Ellington orchestra's most acclaimed and enduring songs including “Lotus Blossom," “Chelsea Bridge," “Isfahan" and, most notably, the jazz classic “Take the 'A' Train," as well as others for which Ellington claimed partial credit ("Daydream," “Something to Live For") and ...
Continue ReadingJohn Di Martino: Passion Flower: The Music of Billy Strayhorn
by Dan Bilawsky
When esophageal cancer took Billy Strayhorn's life in 1967, his work and legacy rested squarely in the shadow of Duke Ellington's world. More than half a century later, though the two figures remain inextricably linked, Strayhorn's genius has moved past the penumbra of his legendary collaborator and employer, occupying its own clear place in the jazz firmament. Through biography and documentary film, his own lush life has been illuminated. And of equal importance, Strayhorn's compositions continue to bloom in others' ...
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