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Benjamin Koppel: Story of Mankind - A Requiem
by Alberto Bazzurro
Il cinquantenne altosassofonista e compositore danese Benjamin Koppel riunisce in questo ambizioso doppio album un altrettanto ambizioso settetto per dar vita a un'opera di grande respiro in cui colpisce anzitutto la ferrea ripartizione fra brani ampi (i dispari) e brevissimi (i pari), che fungono in qualche modo da ricapitolazione, per voce (detta) e piccoli inserti strumentali. Il tutto dota il lavoro di un respiro--un tono, un andamento, un ordine--particolare, all'interno di una struttura assai ferrea che abbina una ...
Continue Reading...Gino Amato: Latin Crossroads
by Richard J Salvucci
The urge to take advantage of a successful commercial genre never really dies. Back in the 1960s, a studio orchestra nominally assembled by bandleader Glen Gray released a recording, Sounds of the Great Bands in Latin (Capitol, 1964). It took tunes like Early Autumn" or A String of Pearls" and added a Latin" flavor with jazz enhancements. No doubt, this was an early recognition of the success of Cal Tjader. The vinyl may or may not have done well, but ...
Continue Reading...Eric Gale: Forecast
by Arnaldo DeSouteiro
Eric Gale (born on September 20, 1938, of Barbadian parents, in Brooklyn, NY) recorded over 500 albums as sideman, backing such stars as Aretha Franklin, King Curtis, Dianna Ross, Paul Simon, Lena Horne, Michel Legrand, Quincy Jones, Roberta Flack, Gladys Knight & The Pips, Joe Cocker, Carly Simon, Van Morrison, Milton Nascimento, Billy Joel, Gato Barbieri and Mongo Santamaria, to name a few. Gale's association with Creed Taylor began when the celebrated producer was working at Verve Records. ...
Continue Reading...John Ambrosini: Songs for You
by Richard J Salvucci
John Ambrosini is a New York City-based pianist, composer and arranger. He has a number of recordings to his credit and this one, strictly speaking, is a bit of a departure. Ambrosini's band is populated by a number of well-known jazz professionals in and around the city. So the music swings and the solos--including piano--are all worth hearing. It may be that Ambrosini is a stronger player than singer, something not unusual among instrumentalists who sing. ...
Continue Reading...Ada Rovatti: The Hidden World Of Piloo
by Katchie Cartwright
Ada Rovatti's curiously titled album, The Hidden World of Piloo, has a tale attached (and a tail). Piloo is an affectionate name Rovatti's father has called her since childhood, after a naughty" cat in a favorite children's book. She adopted it for her label as well (Piloo Records). Rovatti grew up in Mortara, Italy, outside of Milan, in an unusual household. Her mother was a semi-pro softball player and her dad a geologist, professional hunter and purveyor of cars. The ...
Continue Reading...Ron Carter: Anything Goes
by Arnaldo DeSouteiro
Ronald Levin Carter (born Ferndale, Michigan, on May 4, 1937) needs no introduction. Let's just say that he is the bassist's bassist. On Ron's hands, the bass and the man become the same entity, the same person. Played by Ron Carter, the acoustic bass sounds like... Ron Carter! That's why he is one of the three top bassists in the music history. However, if Ron needs no introduction, his Anything Goes album does. Recorded on June & July, ...
Continue Reading...Lakecia Benjamin: Phoenix Reimagined (Live)
by Mike Jurkovic
The certifiable beauty of Phoenix Reimagined (Live) is that it all happens in very very real time as Lakecia Benjamin comes fiercely into her immediate own and then, in a tear of a performance that blisters the paint on the wall, surpasses herself. It is a momentous achievement. One that we rarely get to hear up close, personal and live. Benjamin cuts through the malaise of an empire falling, burning down the ministry of b.s. as she wields ...
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