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Jazz Articles about Pete Cosey

812
Profile

Pete Cosey

Read "Pete Cosey" reviewed by Martin Longley


The aging process has not compromised Pete Cosey's approach to the guitar. This veteran of the mid-1970s Miles Davis band has resurfaced again on a new two-disc project created by saxophonist, arranger, producer and conceptualist Bob Belden. The Miles From India mission is to re-invent that brooding advocate of synthesis' compositions as a meeting between jazz and Indian classical music. During the period when Cosey was with Miles, the trumpeter was no stranger to exotic global music, and was particularly ...

720
Live Review

Pete Cosey's Children of Agharta Play the Lower East Side

Read "Pete Cosey's Children of Agharta Play the Lower East Side" reviewed by James Nichols


Pete Cosey's Children of AghartaCave CanemNew York, NYJune 21, 2007Pete Cosey's Children Of Agharta channels the fusion music of the great Miles Davis band of the early to mid-1970s. They go down many of the same roads blazed by the Davis group of that era when, in fact, Cosey filled the lead guitar chair. Yet simply comparing Cosey's band to the Dark Magus band does not give Children of Agharta its due credit-even if Miles ...

338
Album Review

Miles Davis: On The Corner / Get Up With It

Read "On The Corner / Get Up With It" reviewed by Todd S. Jenkins


Columbia/Legacy is embarking upon a hot fusion reissue program, reshaping many of their classic albums via digital technology to make the roots of today’s music more relevant. Among the first reissues slated for 2000 are two of Miles Davis’ most misunderstood but oddly influential offerings, “On The Corner” and “Get Up With It”. At the “On The Corner” sessions Miles went nuts with electric eclecticism. He hooked a pickup and wah-wah pedal to his trumpet, hired three drummers and three ...

311
Album Review

Miles Davis: On The Corner / Get Up With It

Read "On The Corner / Get Up With It" reviewed by Todd S. Jenkins


Columbia/Legacy is embarking upon a hot fusion reissue program, reshaping many of their classic albums via digital technology to make the roots of today’s music more relevant. Among the first reissues slated for 2000 are two of Miles Davis’ most misunderstood but oddly influential offerings, “On The Corner” and “Get Up With It”. At the “On The Corner” sessions Miles went nuts with electric eclecticism. He hooked a pickup and wah-wah pedal to his trumpet, hired three drummers and three ...


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