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Paul Shapiro: It's In The Twilight
by Jerry D'Souza
The blessings of the sabbath were clearly upon Paul Shapiro when he wrote the music for and recorded this album. On Midnight Minyan, his first record as a leader, he dwelt on Saturday mornings and the Jewish tradition. This time he turns back the clock to Friday evenings and the glow of twilight that the sabbath brings. He has the same band of musicians in tow; they make this a listening experience that will long linger in memory. ...
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by John Kelman
Reconvening the same group that made his debut, Midnight Minyan (Tzadik, 2003), so engaging, tenor saxophonist Paul Shapiro's new release is an even more exuberant affair. Combining a wealth of musical styles with the distinctive Jewish flavor that has made John Zorn's Radical Jewish Culture series so unpredictable, Shapiro proves that twilight needn't be a time for introspection. If anything, Shapiro's music aligns itself with the idea of twilight as a transitional meeting time, creating something not of any one ...
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by Dan McClenaghan
Consider a single member of any ethnic group in America (so the joke goes), and that person has more fun at one wedding reception than a regular Anglo-Saxon white dude" does in his whole life. It's an unfair and untrue observation, of course, but saxophonist Paul Shapiro's It's in the Twilight does make a case for ethnic exuberance, joy and fun.
The disc comes to us from John Zorn's Tzadik label, known for melding traditional Jewish music with modern jazz. ...
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by Celeste Sunderland
Jewish music is sexy. Slow, meandering melodies conjure hot, arid lands or intimate moments at the synagogue. Based on prayer, it's a mortal's direct link to divinely personal experiences with God. But its surface can evoke sensual undulations of the hips and exotic murmurs of the lips. On his debut disc as a leader, saxophonist Paul Shapiro combines ancient melodies with contemporary improvisation. Arrangements of seven traditional songs, two originals, and one tune from Fiddler On The ...
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