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Jazz Articles about Paul Motian

6
Album Review

Frank Kimbrough: Frank Kimbrough 2003 - 2006

Read "Frank Kimbrough 2003 - 2006" reviewed by Pierre Giroux


Frank Kimbrough, who died in December 2020, was a pianist of passionate originality, whose playing can be defined by an ease of technique coupled with a flow of ideas and meticulous execution. This current release, Frank Kimbrough 2003-2006, features newly mixed and remastered versions of the pianist's 2003 album Lullabluebye and the 2006 follow-up release Play. These albums were thought to be representative of a particularly productive period in his career. On Lullabluebye, Kimbrough is accompanied ...

12
Album Review

Frank Kimbrough: Frank Kimbrough 2003 - 2006

Read "Frank Kimbrough 2003 - 2006" reviewed by Dan McClenaghan


Pianist Frank Kimbrough (1956 -2020) was involved in a good deal of collaboration throughout his career, with the Herbie Nichols Project and, most notably, his twenty-four year, seven CD stint in the piano chair of the Maria Schneider Orchestra, where he elevated an already high altitude music to an even loftier level. Such was Kimbrough's willingness to give his all in sideman contexts with like-minded artists that it could be argued that his own work as a leader may not ...

12
Film Review

Motian In Motion

Read "Motian In Motion" reviewed by Ian Patterson


Paul Motian Motian In Motion Aquapio Films 2021 There could have been no more apt title for film maker Michael Patrick Kelly's documentary film on drummer, Paul Motian (1931-2011), who buzzes about his New York business—in and out of taxis on the way to and from gigs or the recording studio—with perpetual wind in his sails. Even when simply chatting with friends, Motian always seems to be in movement. A hug is never ...

1,277
Interview

Paul Motian: There's a Million Songs Out There

Read "Paul Motian: There's a Million Songs Out There" reviewed by Paul Olson


This interview was first published at All About Jazz in April 2006. Paul Motian doesn't like being interviewed. That said, the 75-year-old drummer has plenty to say, and doesn't hesitate to speak his mind. Motian first came to prominence in the late 1950s as one-third (with bassist Scott LaFaro and pianist Bill Evans) of the great Bill Evans Trio, which upended expectations of just what a jazz piano trio was supposed to do (at ...

26
Album Review

Bill Evans: Everybody Still Digs Bill Evans: A Career Retrospective (1956 - 1980)

Read "Everybody Still Digs Bill Evans: A Career Retrospective (1956 - 1980)" reviewed by Chris May


Only occasionally do classy looking limited-edition box sets prove to be a triumph of style and substance. Too often they are undermined by cheapskate packaging, over elaborate design, poorly written and researched booklets, inadequate session details or, most egregiously, bizarre (in a bad way) track selections. So it is a more than pleasant surprise when something comes along which succeeds, and succeeds magnificently, on all those fronts. Such an item is Concord Records' Craft imprint's Everybody Still Digs Bill Evans: ...

2
Interview

Mauro Bardusco - Direttore Artistico di Jazz & Wine Of Peace Festival

Read "Mauro Bardusco - Direttore Artistico di Jazz & Wine Of Peace Festival" reviewed by Neri Pollastri


Il festival Jazz & Wine of Peace di Cormòns, in provincia di Gorizia, è una delle rassegne nazionali di maggior successo, cresciuto negli ultimi anni a dismisura certo anche grazie all'unione degli spettacoli con il vino -Cormòns si trova nel Collio Friulano, ove si producono alcuni dei migliori bianchi d'Italia -ma in primo luogo in virtù di programmi sempre di altissimo livello, capaci di unire espressioni anche molto diverse della musica jazz, con una documentazione rara per il nostro paese ...

1
Album Review

Paul Motian: ECM Recordings

Read "ECM Recordings" reviewed by Enrico Bettinello


Come mi è capitato di sottolineare in un ritratto monografico dedicato al batterista poco dopo la sua scomparsa [nel numero 164/gennaio 2012 della rivista BlowUp], non è certo casuale che la figura di Paul Motian abbia trovato una sua piena rilevanza negli anni Settanta e Ottanta, quando il jazz ha iniziato a riflettere in modo sistematico sul rapporto tra suono e silenzio, alla ricerca di nuove forme di dialogo tra lo spazio sonoro e i timbri. A ...


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