Home » Jazz Articles » Paul Carlon

Jazz Articles about Paul Carlon

221
Album Review

Grupo Los Santos: Lo Que Somos Lo Que Sea

Read "Lo Que Somos Lo Que Sea" reviewed by David Miller


Grupo Los Santos is a unique band. Its music is Latin through and through, and yet the musicians come from varying backgrounds. Guitarist Pete Smith has played with Norah Jones, Donald Byrd and Andrew Hill; bassist Dave Ambrosio has recorded with Uzbek and Kyrgyz folk musicians; saxophonist Paul Carlon leads his own band, playing everything from straight-ahead jazz to funk; and drummer William “Beaver" Bausch rounds out the core quartet, and is probably the most experienced in Latin musics. What ...

168
Album Review

Paul Carlon: Other Tongues

Read "Other Tongues" reviewed by Budd Kopman


If you are at all into Latin music in all of its rhythmic diversity, and furthermore like the fusion of that music with jazz, then you'll find saxophonist/composer Paul Carlon's Other Tongues to be a kick-ass album that will keep you moving from beginning to end while engaging the mind. To someone who values the endless surprises that jazz can bring, Latin rhythms, which, after all are names for patterns, can begin to grate from the sheer ...

445
Take Five With...

Take Five With Paul Carlon

Read "Take Five With Paul Carlon" reviewed by AAJ Staff


Meet Paul Carlon: Saxophonist and composer Paul Carlon has been active on the New York City jazz and Latin jazz scenes for fifteen years, having performed with and/or composed for James Hurt, Phil Bowler and Pocket Jungle, the Jason Lindner Big Band, Juan Pablo Torres, Harvie S, Grupo los Santos, Rumbatap Dance Company, the Ileana SantamarÃa Orchestra, Swingadelic, Sonido Isleo, Gary Morgan's Panamericana, Clave y Guaguanco and Phil Woods.Paul recorded with JP Torres on his all-star CD Together ...

1
Album Review

The Paul Carlon Octet featuring Ileana Santamaria: Other Tongues

Read "Other Tongues" reviewed by AAJ Italy Staff


Attivo da oltre un decennio sulla scena jazz e latin-jazz di New York, il sassofonista e compositore Paul Carlon raduna per il suo debutto da leader un ottetto privo di nomi altisonanti, ma assolutamente funzionale al tipo di musica proposta in Other Tongues. Dunque altre lingue/linguaggi rispetto al jazz, che rimane il collante, il codice comune per decifrare e integrare ritmi e musiche dalla forte matrice afro-cubana. Con qualche curiosità come il rumbatap di “Rumbatapestry“ una singolare integrazione della tap-dance ...

166
Album Review

The Paul Carlon Octet: Other Tongues

Read "Other Tongues" reviewed by Elliott Simon


Taking exceptional advantage of the octet format, tenor saxophonist Paul Carlon's sophomore effort as a leader, Other Tongues, presents his wide-ranging compositional skills in the context of a lively, Latin-based showcase. Rhumba-tap dancer Max Pollak adds additional rhythmic spice; the exceptional vocal stylings of Ileana Santamaria lend a beauty to this otherwise fairly muscular presentation. Carlon has arranged many of these pieces to highlight the powerful brass voicings that two saxophones, a trumpet and two trombones can produce. A very ...

236
Album Review

The Paul Carlon Octet: Other Tongues

Read "Other Tongues" reviewed by Michael P. Gladstone


Paul Carlon's first recording as a leader of his own octet is a deceptive and intruiging portrait, as well as a highly listenable excursion into the world of the many shades of Latin jazz. Originally from upstate New York, Carlon graduated from Cornell University with a degree in English Literature in 1991 but was determined to make his mark in New York's musical world. Since then he has travelled all over the US and the Caribbean, working with a wide ...

183
Album Review

The Paul Carlon Octet: Other Tongues

Read "Other Tongues" reviewed by Dan McClenaghan


On two-thirds of this masterful debut from tenor saxophonist/flutist Paul Carlon and his octet, things get deep into world rhythms, with Afro-Cuban grooves, some rhumba, a bit of cha cha, some Latin-infused Ellingtonian swing and Yoruban chants, Cuban timba, Colombian porro and Max Pollack's rumbatap (on “Rumbatapestry"), along with gorgeously lilting vocals by Ileana Santamaria (daughter of Cuban percussionist Ramon “Mongo" Santamaria) on “Rumbatapestry" and “Smada."But they also bring things up from the Caribbean with “Street Beat," featuring ...


Engage

Contest Giveaways
Enter our latest contest giveaway sponsored by All About Jazz
Polls & Surveys
Vote for your favorite musicians and participate in our brief surveys.

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.