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Jazz Articles about Paul Bollenback

12
Album Review

Paul Bollenback: Portraits In Space And Time

Read "Portraits In Space And Time" reviewed by Dan Bilawsky


Guitarist Paul Bollenback is valued by listeners and musicians alike for his incisive and inventive guitar work, wholly in the tradition while simultaneously branching out beyond the same old same old. His playing has been a key ingredient--in some cases, the key ingredient--in much of organ kingpin Joey DeFrancesco's recorded output, saxophonist Jim Snidero's highly praised Savant dates, vocalist Chris McNulty's post-millennial releases, and elsewhere, but it's his own albums that truly provide a full picture of his talent(s). Bollenback ...

1
Album Review

Paul Bollenback: Invocation

Read "Invocation" reviewed by AAJ Italy Staff


Il chitarrista Paul Bollenback ha alle spalle oltre quindici anni passati con Joey DeFrancesco in un organ trio che ha lasciato una traccia interessante, anche se certamente non fondamentale, nel jazz degli anni novanta. Questo è il suo secondo album per l'etichetta Elefant Dreams e la formazione in quartetto, con la tromba di Randy Brecker nella front line e senza le tastiere nella sezione ritmica, riesce sapientemente a sottolineare i meriti di questo chitarrista che non ha il piglio e ...

121
Album Review

Paul Bollenback: Invocation

Read "Invocation" reviewed by Tom Greenland


Journeyman guitarist Paul Bollenback's Invocation is just that: a shout-out and a summoning forth of the muses, representing a high point in a consistent and substantial oeuvre. This sophomore release for Elefant Dreams is a departure from the guitarist's R&B cover-heavy material found on several of his five earlier recordings for Challenge. Like Brightness of Being (2006), its immediate predecessor, Invocation features the wordless vocalese of Chris McNulty, who doubles the melody on “Alter Ego" and harmonizes with trumpet and ...

271
Album Review

Paul Bollenback: Invocation

Read "Invocation" reviewed by Michael P. Gladstone


Paul Bollenback continues to show his stuff on Invocation. Bollenback's early recorded appearances came with the rise of Joey DeFrancesco, with whom the guitarist spent sixteen years, appearing on the award-winning organist's early 1990s albums.

On Brightness of Being (Elefant Dreams, 2006), Bollenback demonstrated his value as a composer and player. For his second project on Elefant Dreams, the guitarist is joined by bassist Ed Howard; drummer Victor Lewis; trumpeter/flugelhornist Randy Brecker, and with vocalist Chris McNulty's vocalese ...

160
Album Review

Paul Bollenback: Invocation

Read "Invocation" reviewed by Dan McClenaghan


Guitarist Paul Bollenback, who spent sixteen years backing organ great Joey DeFrancesco in concert and on CD, has some serious chops. Reviews of his previous CD release, Brightness of Being (Elephant Dreams, 2005), heaped praises on his technical prowess. On Invocation those chops are in fine form once again--the richly layered harmonies, the fluidly inventive intensity of his soloing, the accessible braininess of his compositions. Also apparent is Bollenback's finely honed, expansive Metheny-esque artistic vision.Bollenback brings in trumpeter ...

173
Album Review

Paul Bollenback: Brightness of Being

Read "Brightness of Being" reviewed by John Kelman


Good music is where you find it, and breadth of stylistic interest needn't dilute a distinguishable voice. Like Bill Frisell's East/West (Nonesuch, 2005), guitarist Paul Bollenback's Brightness of Being brings these points home most effectively. While Bollenback and Vic Juris are two very different players (Bollenbeck is also younger), both remain sadly underappreciated, despite their ability to elevate every project into something special. Looking at Bollenback's substantial catalogue of recorded work, one can find the same pattern emerging--which is really ...

98
Album Review

Paul Bollenback: Brightness of Being

Read "Brightness of Being" reviewed by Ernest Barteldes


Jazz guitar fans will not be disappointed by Brightness of Being, an offering of rich harmonics and octave-based solos in a collection of originals, covers of Stevie Wonder and Neil Young, adaptations from Puccini and Garcia de Leon, and a couple of songs immortalized by Ray Charles. The original “Together finds Bollenback on acoustic guitar and Chris McNulty delivering wordless vocals. This soulful tune has a certain Brazilian feel, without exactly going into bossa nova territory. On ...


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