Jazz Articles about Pat Martino

Pat Martino: Stone Blue

by Jim Santella
September 1, 1998

Guitarist Pat Martino exhibits his long-standing appreciation for the urban lifestyle of New York City and Philadelphia on his latest album Stone Blue. That cocky feeling of self-assurance one develops from living and working in the city gives rise to strutted rhythms, deliberate tempos, and melodies that range from sixteenth-note-laden confetti clusters to dreamy skyborne shouts. Sharing the front line with tenor saxophonist Eric Alexander, Martino presents nine of his compositions with the support of keyboardist Delmar Brown, bassist James ...

Pat Martino: We'll Be Together Again

by Douglas Payne
June 1, 1998

A real beauty, We'll Be Together Again pairs the outstanding jazz guitarist Pat Martino with electric pianist Gil Goldstein for a song cycle that explores ballads and more meditative / contemplative material. It's a perfect union that surprisingly never waivers throughout 45 minutes from maintaining its listener's attention or interest. Goldstein, especially, is the ideal tonal colorist. Although he solos occasionally, the keyboardist more often creates perfect aural envelopes for Martino's deft and lovely explorations on guitar. There is also ...

Pat Martino: All Sides Now

by Glenn Astarita
October 1, 1997

The Blue Note Records debut by guitarist extraordinaire Pat Martino is spotty at best. It is primarily a series of duets and ensemble settings with a wide array of top notch guitarists spanning different genres. This recording was co-produced by jazz/fusion critic Bill Milkowski along with Matt Resnicoff. The feeling here is that Mr. Martino had been granted a minimal amount of artistic control from the onset. What we have here is something short of a hack job!

The CD ...

Pat Martino: Footprints

by Douglas Payne
August 1, 1997

Footprints was originally released as The Visit on Cobblestone Records in 1972 then reissued on Muse under its current title in 1975. This superb record was Pat Martino's sixth as a leader and his first away from the Prestige fold. This tremendous quartet session was recorded March 1972 when the guitarist was still only 27 and featured the substantially driving input from bassist Richard Davis, second guitarist Bobby Rose and drummer Billy Higgins. The disc was conceived as a personal ...