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About Mon David

3

Album Review

Cathy Segal-Garcia: Social Anthems, Volume 1

Read "Social Anthems, Volume 1" reviewed by Troy Dostert


Proving there is still some life in the spirit of '60s activism—and even in the decades beyond it—vocalist Cathy Segal-Garcia gives us six tracks which meld jazz, folk and pop idioms in a way which sounds both classic and contemporary. Drawing on the talents of a fine band and a couple of intriguing guest vocalists, Segal-Garcia delivers these tunes with confidence and a winsome disposition. Aside from the self-penned “What Are We Gonna Do," a zesty folk-based tune, ...

5

Album Review

Josh Nelson: D+N+A: David/Nelson/Agreement

Read "D+N+A: David/Nelson/Agreement" reviewed by C. Michael Bailey


Vocalist Mon David and pianist Josh Nelson's D+N+A: David/Nelson/Agreement has two recorded antecedents in John Coltrane and Johnny Hartman (Impulse!, 1963) and Emilia Vancini's And If You Fall, You Fall (Espira, 2020). This new release favors the former in that David is a baritone voice as was Hartman and his repertoire on D+N+A is one of jazz standards, some more standard than others. The project resembles Vancini's later efforts in its uncompromising artistry and fearless iconoclasm. Mon David ...

2

Album Review

Cathy Segal-Garcia: The Jazz Chamber

Read "The Jazz Chamber" reviewed by Jerome Wilson


On this album, Cathy Segal-Garcia, a vocalist and educator on the Los Angeles jazz scene, comes up with something special, working with a chamber orchestra and a group of jazz musicians to produce a wide-ranging program that veers from lush romanticism to complex jazz-funk. On much of the disc, Segal-Garcia's thick, classically formal voice, combined with a full string section, presents a lilting hybrid of jazz and light classical music. On first hearing it sounds a bit too ...

248

Album Review

Mon David: Coming True

Read "Coming True" reviewed by Marcia Hillman


There is a lot to hear on Filipino Mon David's debut American recording. David (pronounced MOAN da-VID), a winner of the 2006 London International Jazz Vocal competition, is able to navigate octaves without skipping a beat, owns a smooth vocal quality sometimes reminiscent of Tony Bennett without the rasp, has a penchant for playing with vocal sounds à la Bobby McFerrin and the ability to scat and sing in his native Tagalog. He also chooses and arranges ...


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