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Jazz Articles about Miles Davis

64
Just For Fun

Miles Davis: Recently discovered 52 year old tapes to be released this summer

Read "Miles Davis: Recently discovered 52 year old tapes to be released this summer" reviewed by Alan Bryson


Newly discovered tapes of Miles Davis from 1969 are set for release this summer. The unlikely tapes are from an informal jam session at the home of Brian Wilson of the Beach Boys. This was a transitional period for Davis, who in Sept. of 1968 had married 23 year old Betty Mabry, a model/singer/songwriter and prominent counter-culture figure in New York City. She immersed Davis in the popular music of the day, and introduced him to musicians such as Jimi ...

1
Radio & Podcasts

Duos, Vibes, Guitars and Electric Miles

Read "Duos, Vibes, Guitars and Electric Miles" reviewed by Bob Osborne


This week fantastic albums featuring duos, extended improvisations influenced by electric period Miles Davis, and, to compliment that some actual electric period Miles, plus new sounds with vibes and guitars. Playlist Chris Alford & Justin Peake “Mullerian Mimicry" from Turning On Our Own Time (Mystic Form Records) 00:00 Gus Garside and Hervé Perez “The Lover" from The Unexpected Visitor (Orbit 577) 04:07 Olie Brice, Binker Golding, Henry Kaiser, N.O. Moore, Eddie Prévost “Door 1 (edit)" from The Secret ...

6
Album Review

Charlie Parker: Be Bop Live

Read "Be Bop Live" reviewed by Mark Corroto


The name of the record label is ezz-thetics, which was also a composition by George Russell and an album of the same name (which featured Eric Dolphy) released by Riverside Records in 1961. Maybe a better moniker for the label is “Lest We Forget." Not that we could ever abandon Charlie Parker, but today when streaming services replace CDs and LPs, which also replaced 78s and live radio broadcasts (the streaming service of its day), Parker has the possibility of ...

Album Review

Charlie Parker Quintets: Be Bop Live

Read "Be Bop Live" reviewed by Stefano Merighi


Benvenuti a uno dei convegni di bellezza più eccitanti che il jazz abbia mai prodotto. Royal Roost, New York City, dicembre 1948-febbraio 1949, due mesi in cui Charlie “Bird" Parker teneva il cartellone nel club della Quarantasettesima, sconvolgendo il pubblico con alcune tra le sue esibizioni più brillanti. Il bop era già linguaggio assimilato ormai, ma l'eccezionalità di quelle serate confermava Parker come punta di diamante di tutta la cultura africana-americana, al di là delle correnti jazzistiche.Questo doppio ...

10
Album Review

Charlie Parker: Birth Of Bebop - Celebrating Bird At 100

Read "Birth Of Bebop - Celebrating Bird At 100" reviewed by Mark Corroto


Let's face it, there is absolutely nothing new to say about the music of Charlie Parker, unless (insert joke here) you happen to be Phil Schaap. Lao Tzu's quote “The flame that burns twice as bright burns half as long" is fitting. John Coltrane was 40 when he died in 1967, Eric Dolphy 36 in 1964, and Clifford Brown died at 25 in 1956. Parker was dead at the age of thirty-five in 1955. His legend has grown larger with ...

5
Film Review

Miles Davis: Birth of the Cool - A Film By Stanley Nelson (2 DVD)

Read "Miles Davis: Birth of the Cool - A Film By Stanley Nelson (2 DVD)" reviewed by Doug Collette


Miles Davis Birth of the Cool: A Film by Stanley Nelson Eagle Entertainment 2020 The two-DVD package of Miles Davis: Birth of the Cool -A Film by Stanley Nelson reminds potential viewers to interpret the title broadly rather than literally. To be sure, the award-winning filmmaker and historian delves deeply into the conception and execution of that landmark music in his near two-hour piece of cinema. But his scholarly investigation is ultimately ...

13
Radio & Podcasts

Miles Davis and the Second Great Quintet (1963 - 1968)

Read "Miles Davis and the Second Great Quintet (1963 - 1968)" reviewed by Russell Perry


Miles Davis, through his adoption of modal music, participated in the gradual liberation that resulted in the free music of the jazz avant-garde--liberation from chord changes, from rhythm, from harmony, from melody, from structure. Yet, although he continued to explore broadly, he was public in his discomfort with free jazz. Despite this reluctance, the new quintet that he began to build in 1963 (with George Coleman then Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams, resulted in the freest ...


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