Jazz Articles about Mike Clark

About Mike Clark

Album Review

Vince Guaraldi: It's The Easter Beagle, Charlie Brown!

Read "It's The Easter Beagle, Charlie Brown!" reviewed by Joshua Weiner

by Joshua Weiner
April 6, 2025

The series of complete Peanuts television special soundtracks put out by Lee Mendelson Film Productions continues to thrill fans of Vince Guaraldi, Charlie Brown, Snoopy and all the gang. After the highly successful Christmas, Halloween, and Thanksgiving animated specials, the stage was set for 1974's It's The Easter Beagle, Charlie Brown! Recorded over two days at Wally Heider Studios in Guaraldi's hometown of San Francisco, the soundtrack--resurrected for the first time from the 16-track master tape and freshly mixed--features the ...

Album Review

The Headhunters: The Stunt Man

Read "The Stunt Man" reviewed by Doug Collette

by Doug Collette
October 11, 2024

With the half-century anniversaries of Herbie Hancock's work with the Headhunters having passed in roughly the last year--Head Hunters (Columbia, 1973) and Thrust (Columbia, 1974)--it is appropriate the current configuration of the group has continued regular activity. In fact, under the fitting tutelage of drummer Mike Clark and percussionist Bill Summers, the band has issued two albums of new material in this span of time. Speakers in the House (Ropeadope, 2022) is an album of dashing panache and ...

Multiple Reviews

Mike Clark: Humble As He Goes

by Doug Collette
March 11, 2024

Drummer/composer/bandleader Mike Clark's resume is as diverse as his talent and, in turn, his discography. The man who dramatically raised his public profile by sitting at the kit for Herbie Hancock and the Headhunters has gone on to record in a wide variety of settings, with a panoply of people, including guitarist extraordinaire Charlie Hunter, British fusioneers Brand X plus once and future member of the Meters, George Porter Jr. Somewhat contrary to Clark's restless, eclectic spirit, both of these ...

Album Review

Tony Adamo: Soul Glide

Read "Soul Glide" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello
March 6, 2024

"Soul Glide" is the latest offering from singer/composer and hipster nonpareil, Tony Adamo. The track is a slick R&B throwback with an Eddie Harris “Listen Here" vibe and groove. It is an enjoyable listen and it has terrific momentum and bite. Over a solid rhythm bed from this spirited ensemble, Rob Sudduth's tenor opens the track with a tight “Famous Flames"-like line that chants a musical “you dig?" Adamo joins the party singing lyrics that are lathered ...

Album Review

Vince Guaraldi: A Charlie Brown Thanksgiving

Read "A Charlie Brown Thanksgiving" reviewed by James Aren

by James Aren
November 14, 2023

Just in time for Thanksgiving, the people at Lee Mendelson films are serving up a fresh take on some old favorites. The soundtrack to a A Charlie Brown Thanksgiving has been released for the first time, to celebrate the 50th anniversary of the special. Vince Guaraldi's voice is the first sound on the album. “Okay, well, did ya get that last one? This is cue one," as it swings into “Charlie Brown Blues." It is a good introduction ...

Album Review

Funkwrench Blues: Soundtrack For A Film Without Pictures

Read "Soundtrack For A Film Without Pictures" reviewed by Chris May

by Chris May
August 3, 2023

Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. But all that was a long time ago in a galaxy far, far away. In the 2020s, if you want to hear a freshly ...

Album Review

The Headhunters: Speakers In The House

Read "Speakers In The House" reviewed by Doug Collette

by Doug Collette
November 27, 2022

Herbie Hancock's Headhunters (Columbia, 1973) remains one of the seminal works of the jazz fusion era. The group's heavy emphasis on rhythm not only separated it from its guitar-oriented peers of the era, the Mahavishnu Orchestra and the middle-period Return to Forever, but also from Weather Report: grooves became increasingly more prominent as that band evolved, but never to the depth of Hancock and company's all-encompassing funk. That solid foundation is more than enough distinction for the first ...