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About Michael Henderson

26

Reassessing

The Electric Years Box Set

Read "The Electric Years Box Set" reviewed by Mike Jurkovic


In a year that has brought us a true bounty of previously unheard majesty including Evenings at the Village Gate: John Coltrane with Eric Dolphy (Impulse!), and Bill Evans; Treasures: Solo, Trio & Orchestra Recordings from Denmark (1965-1969), (Elemental Music) it is only fitting that Miles Davis get his due. And in a very, very big way. Seared into modern memory, modern art, the music presented on the gloriously massive, eleven LP set Miles Davis: The Electric Years ...

1,477

Album Review

Miles Davis: The Cellar Door Sessions 1970

Read "The Cellar Door Sessions 1970" reviewed by Greg Masters


For devotees of Miles Davis's so-called “electric period," the full release of the music recorded live in December 1970 at the Washington, DC club The Cellar Door has long been something of a holy grail. A healthy sampling was released in 1971 on Live-Evil providing evidence that more of this sound existed. The possibility that more from this lineup was in the vault gave hope to at least many of the baby boomers I keep in touch with. With the ...

521

Album Review

Miles Davis: The Cellar Door Sessions 1970

Read "The Cellar Door Sessions 1970" reviewed by Jim Santella


This six-CD set features trumpeter Miles Davis with his early fusion band, marking the significant change that he was to bring about in jazz. Recorded from December 16-19, 1970, Davis' music retained the comfortable swing and fiery emotion that he had espoused in earlier years, but added a dynamic force that signaled progress in the entertainment industry.

Taking advantage of the technological developments available to him, he experimented with the sonic powers of electric piano, electric bass, and ...

966

Extended Analysis

Miles Davis: A Tribute to Jack Johnson

Read "Miles Davis: A Tribute to Jack Johnson" reviewed by Paul Olson


Well, here it is, finally: the Miles Davis album A Tribute to Jack Johnson, newly remastered and affordably available to those unwilling or unable to pay for the five-disc Complete Jack Johnson Sessions, which has been available since 2003. That's been Columbia/Legacy's modus operandi for Bitches Brew, In a Silent Way, and now Jack Johnson: put out the box set and after a suitable, cash-draining interval, cough up the remastered album alone.Jack Johnson 's re-release (more accurately at ...

721

Interview

A Fireside Chat with Michael Henderson

Read "A Fireside Chat with Michael Henderson" reviewed by AAJ Staff


There’s a level of cool that all of us at one point or another attempt to achieve. Then there’s a level of cool that all of us know we’ll never achieve – Miles Davis cool, Frank Sinatra cool, Errol Flynn cool, James Dean cool. Dig the cover of Michael Henderson’s Wide Receiver and you’ll have an understanding of cool. Check out Henderson in those Oakleys. Then understand it was 1980 when he released the album and Oakley didn’t exist. But ...

340

Album Review

Miles Davis: On The Corner / Get Up With It

Read "On The Corner / Get Up With It" reviewed by Todd S. Jenkins


Columbia/Legacy is embarking upon a hot fusion reissue program, reshaping many of their classic albums via digital technology to make the roots of today’s music more relevant. Among the first reissues slated for 2000 are two of Miles Davis’ most misunderstood but oddly influential offerings, “On The Corner” and “Get Up With It”. At the “On The Corner” sessions Miles went nuts with electric eclecticism. He hooked a pickup and wah-wah pedal to his trumpet, hired three drummers and three ...

311

Album Review

Miles Davis: On The Corner / Get Up With It

Read "On The Corner / Get Up With It" reviewed by Todd S. Jenkins


Columbia/Legacy is embarking upon a hot fusion reissue program, reshaping many of their classic albums via digital technology to make the roots of today’s music more relevant. Among the first reissues slated for 2000 are two of Miles Davis’ most misunderstood but oddly influential offerings, “On The Corner” and “Get Up With It”. At the “On The Corner” sessions Miles went nuts with electric eclecticism. He hooked a pickup and wah-wah pedal to his trumpet, hired three drummers and three ...


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