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Jazz Articles about Meg Okura
About Meg Okura
Take Five with Meg Okura
by AAJ Staff
Meet Meg Okura Hailed as the queen of chamber jazz (All About Jazz)," Tokyo-native Meg Okura is a Grammy-nominated jazz composer and violinist based in New York, known for her music praised by The New York Times as grandiloquent beauty that transitions easily from grooves to big cascades to buoyant swing." Ms. Okura leads her 10-piece Pan Asian Chamber Jazz Ensemble, performing at renowned venues including Birdland Jazz Club and Blue Note. Additionally, Okura is the musical director and arranger ...
Continue ReadingErica Seguine: The New Day Bends Light
by Angelo Leonardi
Impegnandosi nel ruolo di produttore, Darcy James Argue dà particolare considerazione al debutto discografico di quest'ensemble, fondato nel 2011 a New York dalle compositrici Erica Seguine e Shon Baker. La prima è anche arrangiatrice e guida dell'orchestra, la seconda entra nel cast come sassofonista. Dopo varie esibizioni in locali chiave della Big Apple, le due leader hanno selezionato sette composizioni originali dal loro repertorio, incidendole con un ampio organico comprendente talentuosi solisti della metropoli. Alcuni di essi ...
Continue ReadingEunmi Lee: Introspection
by Jack Bowers
Eunmi Lee is a quick learner. The South Korean-born pianist, who now makes her home in New York City, did not become acquainted with or interested in jazz until a friend introduced her to the GRP Records catalogue. That was more than a year after she had received a degree in contemporary piano from the Seoul Institute for the Arts, in 2005. Eager to learn more, Lee came to California in 2007 to take part in an open house at ...
Continue ReadingEunmi Lee: Introspection
by Dan McClenaghan
Korean-born, New York-based pianist and composer Eunmi Lee opens her debut record, Introspection with her original composition, Gimmick." And, if there is a gimmick, it sounds as if it might be her strong compositional voice and her way with an arrangement. The tune features Alan Ferber on trombone, saxophonist John Ellis, a guitar, bass and drums rhythm section, and Lee in the piano chair. In spite of the album's title, this opener is a bright, sassy roller. Maybe the gimmick ...
Continue ReadingErica Seguine/Shon Baker Orchestra: The New Day Bends Light
by Jack Bowers
The New Day Bends Light, the debut recording by the twelve-year-old Erica Seguine/Shon Baker Orchestra, is interesting on a number of levels, not the least of which is emotional. The leaders and their twenty-one piece ensemble are clearly committed to the music and do their best to breathe life into each of the album's seven numbers, three of which were written by Seguine, three by Baker and the other ("Ose Shalom") by Nurit Hirsh. Aside from that, there is the ...
Continue ReadingAndrew Green: Dime Dancing: The Music Of Steely Dan
by Mark Sullivan
It is not hard to imagine jazz versions of Steely Dan songs, as they are rich in knotty harmonies and dark lyrics that belie their mainstream pop success. But you would probably have to be guitarist Andrew Green to imagine them arranged for chamber ensembles dominated by woodwinds and strings (as well as vocalist Miriam Waks and Green's guitar). Ironically, Green's dramatic departure from the iconic recordings grew out of his love for them: he was convinced that no rock ...
Continue ReadingA Conversation with Violinist Meg Okura
by UDEiGWE
Meg Okura is a distinguished violinist/composer who has been decorated with several awards. Her latest album, Ima Ima, is a collection of well thought out and very well executed compositions that stem out of her role as a mother. Join Meg and I as we talk about composing, motherhood, David Bowie, and other somewhat related things. Ima Ima features Meg Okura on violin, vocals, and erhu; Tom Harrell on trumpet; Sam Newsome on soprano sax; Sam Sadigursky ...
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