Jazz Articles about Matt Mitchell

About Matt Mitchell

Album Review

For all its unstinting muscularity, feverish virtuosity and concentrated interplay, Canadian guitarist/oudist Gordon Grdina's first of two simultaneous summer releases, Boiling Point, could easily have been entitled Shock and Awe or Scorched Earth or perhaps even Ground Zero. Because as densely and wirily structured as these six Grdina comps are, Lower East Side piano legend Matt Mitchell and equally lauded drummer Jim Black bash away to the heart of matter, clearing the way for Grdina to crunch, skronk, and ruminate ...

Album Review

Gordon Grdina's Nomad Trio: Boiling Point

Read "Boiling Point" reviewed by Dan McClenaghan

by Dan McClenaghan
August 16, 2022

Even if Gordon Grdina does not release another album in 2022, the year should be considered as the time when it all came together for the Vancouver-based guitarist and oud-ist. Oddly Enough: The Music Of Tim Berne, Night's Quietest Hour and Pathways, all on Attaboygirl Records, were released in the first six month of 2022--a productive time. Add to that Boiling Point, the second outing by Gordon Grdina's Nomad Trio. Grdina's artistry is hard to pin down. Free ...

Album Review

Miles Okazaki: Thisness

Read "Thisness" reviewed by Troy Dostert

by Troy Dostert
May 4, 2022

A guitarist as freakishly talented as Miles Okazaki demands a listener's full attention. This is the case whether one is parsing his fiendishly complex compositions, or beholding his astonishing technique, or simply taking in all the shifting meters and grooves that permeate his music. From the remarkably ambitious Work (Volumes 1-6), his self-released solo document in 2018 of the complete works of Thelonious Monk, to his recent albums with his Trickster quartet, like Trickster (Pi Recordings, 2017) or The Sky ...

Album Review

Anna Webber: Idiom

Read "Idiom" reviewed by Stefano Merighi

by Stefano Merighi
April 4, 2022

Già da oltre un decennio, la complessità della canadese Anna Webber (sax tenore, flauto, composizione) ci interroga sulla possibilità di compenetrare nel jazz di oggi mente e corpo, attitudine concettuale e abbandono rituale. Non è la prima, ovviamente, a lambire questi territori impervi. Si situa, forse, in una geografia sonora che parte da Cecil Taylor e attraversa le gigantesche ombre di Anthony Braxton e Henry Threadgill. Ma, velocemente, sta atterrando in un pianeta sonoro totalmente proprio, come dimostra questo doppio ...

Album Review

Sara Schoenbeck: Sara Schoenbeck

Read "Sara Schoenbeck" reviewed by Karl Ackermann

by Karl Ackermann
December 9, 2021

Sara Schoenbeck is cast against type in the world of bassoonists. The versatile double reed, broad-ranged instrument dates to the Renaissance and is commonly found in wind ensembles and chamber orchestras. But Schoenbeck has brought her classical-leaning instrument to creative music in an electrifying body of work. Her self-titled leader debut is the first such project of her career. A series of nine duets allows Schoenbeck to fully explore the scope of the bassoon in close settings. Not ...

Album Review

Mario Pavone: Blue Vertical

Read "Blue Vertical" reviewed by John Sharpe

by John Sharpe
October 10, 2021

There is an inevitably tinge of sadness to Blue Vertical. Not because of any particular flavor of the music, but because, along with Isabella (Clean Feed, 2021) it's one of two final releases by bassist Mario Pavone, who died aged 80 less than two months after this March 2021 recording session. Pavone began his career in the '60s free scene, and became a stalwart of bandleaders as diverse as trumpeter Bill Dixon and saxophonist Thomas Chapin. In a ...

Album Review

Ches Smith / We All Break: Path of Seven Colors

Read "Path of Seven Colors" reviewed by Jerome Wilson

by Jerome Wilson
October 2, 2021

In his group We All Break, drummer Ches Smith puts together a robust hybrid of the rhythms of Haitian Voudou music and the free- flowing impulsiveness of modern jazz. The basic music and lyrics of the songs here are based on traditional Haitian melodies. The group builds from that foundation, starting with the tangled interplay of Smith and three Haitian drummers, Daniel Brevil, Markus Schwartz, and Fanfan Jean-Guy Rene. Jazz improvisation is stirred into the mix by alto saxophonist Miguel ...