Home » Jazz Articles » Matt Mitchell
Jazz Articles about Matt Mitchell
Ches Smith / We All Break: Path of Seven Colors
by Jerome Wilson
In his group We All Break, drummer Ches Smith puts together a robust hybrid of the rhythms of Haitian Voudou music and the free- flowing impulsiveness of modern jazz. The basic music and lyrics of the songs here are based on traditional Haitian melodies. The group builds from that foundation, starting with the tangled interplay of Smith and three Haitian drummers, Daniel Brevil, Markus Schwartz, and Fanfan Jean-Guy Rene. Jazz improvisation is stirred into the mix by alto saxophonist Miguel ...
Continue ReadingAnna Webber: Idiom
by Hrayr Attarian
Award winning composer, saxophonist and flautist Anna Webber is a restless innovator and musical individualist. Her ninth release as a leader, the sublime and magnificent two-disc Idiom is an ambitious project which Webber pulls off brilliantly and with elegance. Five compositions from the “Idiom" series are represented here. Four are in a sparse trio setting while “Idiom VI," which fills the entire second disc, is with a large ensemble. Another one, “Idiom II," (not included here) appeared on Webber's Clockwise ...
Continue ReadingChes Smith’s We All Break: Path of Seven Colors
by Vic Albani
Il fatto che da qualche anno la produzione discografica non sia più nelle strette mani delle multinazionali sta man mano aprendo infinite possibilità per gli artisti più creativi e, quantomeno in questo caso, ai nomi collegabili all'avanguardia. Oramai la situazione è chiarissima per i fruitori della stessa (in breve, a noi ascoltatori). Si brindi dunque e innanzitutto alla pianista-compositrice canadese Kris Davis che ha fondato la Pyroclastic Records nel 2016 (al tempo per trovare sbocco alle sue registrazioni ...
Continue ReadingAnna Webber: Idiom
by Mark Corroto
Is Idiom, from composer, saxophonist, and flutist Anna Webber, new classical music or jazz? Yes. Is the music scored or improvised? Again, yes. Last question: Is it demanding or easy on the ears? Both. On the heels of two stellar releases, the septet Clockwise (Pi Recordings, 2019) and the Webber/Morris Big Band recording Both Are True (Greenleaf Music, 2020), Webber was commissioned to present Idiom VI at John Zorn's Stone series. She expanded the material from one track heard on ...
Continue ReadingMario Pavone / Dialect Trio +1: Blue Vertical
by Karl Ackermann
Bassist and composer Mario Pavone died on May 15, 2021, after a seventeen-year battle with cancer. The Connecticut native had many interests and earned a degree in engineering, a Doris Duke Foundation grant and, for a quarter-century, shared his wisdom and talent with kids at the Litchfield Performing Arts Jazz Camp, where he also served as a board member. In the 1970s, Pavone, along with Wadada Leo Smith and Anthony Braxton helped launch The Creative Musicians Improvisors Forum, a Northeast ...
Continue ReadingChes Smith / We All Break: Path of Seven Colors
by Karl Ackermann
For some time, drummer/composer Ches Smith kept his interest in the Voudou music of Haiti at bay. Recognizing himself as an outsider in that world, he researched, listened, studied, and after years brought a project to fruition. Smith's group We All Break released their self-titled, self-produced debut in 2017 and received less attention than deserved. Now on Kris Davis' Pyroclastic Records, the outstanding Path of Seven Colors should produce wide recognition. Path of Seven Colors is a two-disc ...
Continue ReadingTim Berne / Matt Mitchell: Spiders
by John Sharpe
In spite, or perhaps because, of the lull in work in 2020, alto saxophonist and composer Tim Berne maintained a busy release schedule. Spiders, his third set of duets with pianist Matt Mitchell, arrives hot on the heels of The Fantastic Mrs 10 (Intakt) and The Deceptive 4 Live (Intakt), both by his band Snakeoil which also includes Mitchell. The program, which comprises all new material, was recorded live not long before the Covid pandemic effectively ended in concert appearances ...
Continue Reading
