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Jazz Articles about Mat Maneri

8
Album Review

Junk Magic: Compass Confusion

Read "Compass Confusion" reviewed by Franz A. Matzner


Density. Shifting ground. Textural discord. Sharpness like glass. Resonant emptiness. Explorative improvisation, electronica sound spaces and electric beats. Released by the Craig Taborn project Junk Magic, Compass Confusion moves the fusion of live performance with electronica to the next level, making the division between the two often difficult to discern. The album incorporates a cross section of electronica techniques, including often lesser recognized subgenres like ambient, trip-hop, and minimalist industrial. This diverse representation of electronic music coupled with ...

1
Album Review

Mat Maneri: Dust

Read "Dust" reviewed by Neri Pollastri


Nuovo lavoro di Mat Maneri assieme a quello che pare ormai il suo compagno di viaggio prediletto, il pianista rumeno Lucian Ban. I due--che dopo il loro >Transylvanian Concert (ECM, 2013), hanno collaborato numerose volte--sono qui affiancati dall'eccellente contrabbassista John Hébert e dal batterista Randy Peterson, e si dividono anche la titolarità dei brani--cinque di Maneri, due di Ban, mentre i rimanenti due sono improvvisazioni totali. La cifra del lavoro non è poi così diversa dal lavoro in ...

4
Album Review

Matthew Shipp String Trio: Symbolic Reality

Read "Symbolic Reality" reviewed by John Sharpe


Pianist Matthew Shipp's String Trio reunites three familiar collaborators whose paths cross in multiple settings. Bassist William Parker and violist Mat Maneri complete a line-up unchanged since the triumvirate's debut By The Law Of Music (Hatology, 1997). In the twenty-plus years since that point, they have further cemented their standing in the jazz world as leading stylists on their instruments. In this chamber setting they function as interlocking parts in a mysterious jigsaw which depicts an abstract realm ...

14
Album Review

Matthew Shipp String Trio: Symbolic Reality

Read "Symbolic Reality" reviewed by Karl Ackermann


Of the many formations in which Matthew Shipp works, his string trio is one of the most eclectic and appealing. Mat Maneri, William Parker and Shipp have covered the breadth of progressive improvised music from chamber to noise. Shipp has dabbled in electronica and hip-hop, but more often in the genre-less manner which makes him stand apart. Maneri has collaborated with a wide range of artists including Cecil Taylor, Paul Motian and Club d'Elf. Parker's resume includes recordings with artists ...

37
Album Review

Mat Maneri Quartet: Dust

Read "Dust" reviewed by Glenn Astarita


The respective artists are firmly rooted in the modern vanguard of experimentation, improvisation and countless offshoots of the jazz vernacular. However, A-list bassist John Hebert is also a veteran of many modern/progressive jazz sessions but, as evidenced here, is also comfortable exploring the outside realm. Hence, the musicians dish out a rather somber and stoic chamber-jazz program amid fragile underpinnings and a slowly-paced gait with asymmetrical pulses and blossoming mini-themes. In addition, Mat Maneri's extended viola choruses assist with steering ...

7
Album Review

Mat Maneri: Sounding Tears

Read "Sounding Tears" reviewed by John Sharpe


In the wake of Evan Parker's 2013 and 2014 residencies at New York's The Stone, a slew of tremendous recordings has emerged showcasing the British saxophonist's encounters with the luminaries of the downtown scene. Prominent among them are Miller's Tale (Intakt, 2016) with the electronics of Ikue Mori, violinist Mark Feldman and pianist Sylvie Courvoisier, Either, Or And (Relative Pitch, 2014) with the same pianist, and Ninth Square (Clean Feed, 2015) with guitarist Joe Morris and trumpeter Nate Wooley. But ...

3
Live Review

Mat Maneri and Tanya Kalmanovitch at Korzo

Read "Mat Maneri and Tanya Kalmanovitch at Korzo" reviewed by Tyran Grillo


Mat Maneri and Tanya Kalmanovitch Korzo, Konceptions Music Series Brooklyn, NY August 15, 2017 As part of the Konceptions Music Series at Korzo in Brooklyn, violists Mat Maneri and Tanya Kalmanovitch joined forces for an evening of intimate give and take. As equal partners of their instruments, they have lifetimes' worth of scenes, moods, and themes under their bows. How appropriate, then, that their collaboration should take the name Magic Mountain, after the Thomas ...


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