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About Marvin Sewell
Jorge Sylvester Spontaneous Expressions: Mayhem At Large--The Last Baha'i Session
by Jack Bowers
This two-disc set by saxophonist Jorge Sylvester's Spontaneous Expressions documents the last of the Tuesday evening jazz concerts at the Baha'i Center on East 11th Street in New York City. According to the jacket notes, the event was recorded live in March 2020. If that is so, Sylvester's listeners have earned top prize as the quietest audience in recorded history. Nary a sound. Either they were fast asleep or expressing an opinion. The discs themselves are...well, the words ...
Continue ReadingIngrid Jensen: Landings
by Pierre Giroux
On Landings, trumpeter Ingrid Jensen convenes a quartet that thrives on speed and alertness. With organist Gary Versace, guitarist Marvin Sewell, and drummer Jon Wikan, she leads a band capable of sharp turns and open-road lyricism in the same breath. The music feels meticulously shaped yet gloriously unbound; an ensemble language forged in deep listening and shared risk. The album starts with a historic moment as 89-year-old tenor legend George Coleman joins in for his own composition “Amsterdam ...
Continue ReadingIngrid Jensen: Landings
by Jack Kenny
Ingrid Jensen has emerged as a unique trumpet player with a distinctive sound that defines her and proclaims her nonpareil gifts. The album opens with “Handmaiden's Tale," a virtual duet with Gary Versace that clearly demonstrates the beauty of Jensen's tone. The track weaves together many strands of sheer beauty: warmth, lyricism, resonance and the roundness of the notes. It balances space and pace with a barely suppressed melancholy and soft dynamism. There is a fluidity here--refusal to ...
Continue ReadingLa Tanya Hall: If Not Now, When...
by Pierre Giroux
With If Not Now, When... , La Tanya Hall emerges not just as a vocalist but as a storyteller, deeply connected to the quiet power of a well-chosen song. This is her most personal statement yet, an album crafted with intention rather than for show, where each track earns its place through lyrical depth and emotional impact. Hall avoids the obvious, assembling a selection of lesser-known material that invites the listener inward, asking for attention rather than applause. Supporting this ...
Continue ReadingCharles Lloyd: Figure In Blue
by Jack Kenny
Jazz listeners with long memories will remember that Charles Lloyd was not always as revered as he is today. In the 1960s, his association with the “Summer of Love" and San Francisco's Haight-Ashbury scene led some to question his seriousness, seeing him as flirting with commercialism. Six decades on, that perception has aged away. Lloyd's work in 2025 is almost comparable to Beethoven's late quartets--music of depth, reflection, and spiritual weight. He has passed beyond being a national treasure; he ...
Continue ReadingChristian Sands: Embracing Dawn
by Mike Jurkovic
Way back in the mottled history of the 1950s and '60s, record biz guys in sharkskin might kick down a DJ's door and bark: “You gotta to hear this single!" But who truly listens to and what exactly is a single these days? Add in the disturbing though elusive truth that any single can take any physical or temporal shape and the evidence just points to one thing: First impressions have doomed many a pundit. If ...
Continue ReadingChristian Sands: Christmas Stories
by Dave Linn
Early on, Christian Sands had a passion for music. He was enrolled in music classes at age four and wrote his first composition at age five. He started playing professionally at the age of ten and studied at the Center for the Arts in New Haven, Connecticut before receiving his Bachelor of Arts and Masters degrees from the Manhattan School of Music. A protégé of Dr. Billy Taylor, Sands released his debut album at the age of 12 and came ...
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