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About Marty Ehrlich
Marty Ehrlich: Things Have Got To Change
by Stuart Broomer
The clarity that's so immediately apparent in Marty Ehrlich's alto sound permeates his work, so that there's a quality at once naked and luminous in the music heard here. The quartet with trumpeter James Zollar, cellist Erik Friedlander and drummer Pheeroan akLaff and the concept harkens back to the early Ornette Coleman Quartet, each member committed to an intense lyricism, an insistence on the emotional power of blues and hymn. There are moments in the opening Rites Rhythm" that even ...
Continue Reading...Marty Ehrlich Rites Quartet: Things Have Got To Change
by Troy Collins
One of the seminal artists of the New York Loft jazz scene, composer and multi-instrumentalist Julius Hemphill (1938-1995) left a diverse legacy that lives on through the tireless efforts of saxophonist Tim Berne and multi-instrumentalist Marty Ehrlich. Hemphill's earthy forays with cellist Abdul Wadud in the early seventies broke new stylistic ground, unapologetically drawing inspiration from funk, soul and R&B. His inventive writing for unconventional instrumental combinations was further realized as a founding member of the World Saxophone Quartet and ...
Continue Reading...Marty Ehrlich - Myra Melford: Spark!
by AAJ Italy Staff
Marty Ehrlich e Myra Melford hanno spesso incrociato le loro strade. Non solo nel precedente disco in duo Yet Can Spring (Arabesque, 2001), ma anche nei vari gruppi che li hanno visti assieme, tra cui uno strepitoso quartetto (con Lindsey Horner e Reggie Nicholson) a nome della pianista e che fu in Italia per poche date nell’estate del 1996. La formula del duo in questo caso, come nella precedente prova, è articolata su un intreccio fitto tra parti improvvisate con ...
Continue Reading...Marty Ehrlich / Myra Melford: Spark!
by Matthew Miller
Multi-reedist Marty Ehrlich and pianist Myra Melford share more than a virtuosic touch and rugged lyricism. Their work embodies a single-minded approach to duo playing that lends an air of cohesion to the most abstract improvisation, allowing their ideas to blend to the point where Ehrlich's tone becomes a growling, vibrato-laden extension of Melford's sensitive voicings and provocative counterpoints or a serene answer to one of the pianist's jarring exclamations. Spark! opens and closes with Hymn, a ...
Continue Reading...Marty Ehrlich Trio in Tel Aviv
by Eyal Hareuveni
Marty Ehrlich Trio New Opera House Tel Aviv, Israel Friday, January, 19, 2007
The first performance in Israel of New York-based composer and reed player Marty Ehrlich offered a concise overview of the career of the gifted player. Ehrlich presented his new trio--Shanir Ezra Blumenkrantz on bass and oud along with drummer Mark Fereber--and hosted Israeli saxophonist Albert Beger in the second half of the concert.
Ehrlich opened the concert with two ...
Continue Reading...Lindsey Horner: Don't Count on Glory
by AAJ Italy Staff
Contrabbassista flessibile e sicuramente troppo poco considerato, Lindsey Horner ha condiviso sin dagli anni Ottanta alcune importanti esperienze del jazz creativo newyorkese, a fianco di Myra Melford e di Herb Robertson, di Muhal Richard Abrams o di Bobby Previte, distinguendosi per timbro preciso e acuta sensibilità. Nelle sue prove da leader, come nel caso di questo nuovo Don't Count on Glory, l'attenzione è focalizzata sulla scrittura, con sette temi a firma propria e una rilettura di Green Chimneys" di Thelonious ...
Continue Reading...Marty Ehrlich: News On The Rail
by Joel Roberts
Multi-reedist Marty Ehrlich can always be counted on to make thoughtful, provocative music on the modern-creative end of the jazz spectrum. His last album (The Long View, 2003) featured an extended large-group composition inspired by the work of painter Oliver Jackson. News On The Rail is a somewhat less abstract effort comprising eight new tunes written for what he calls a large small ensemble--actually a sextet.An avant gardist with an appreciation for melody, Ehrlich has long been associated ...
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